OWN’s Belle Collective reality TV franchise has made its way to a new city, Birmingham, Alabama. As a native myself, the city is known for its deep and historic roots and talent, but as the city grows and transforms, Birmingham is becoming more of a gem in the South. 

With that, the cast of Belle Collective Birmingham is taking the opportunity to show exactly what Birmingham has to offer, and I was able to speak with one of the leading cast members, Amber Jones.

Amber is a financial strategist and credit coach for her business, Life Key Financial; she’s also CFO of Canvas Beauty, a beauty brand led by Stormi Steele, an OWN Love and Marriage Huntsville alum.

Amber met Birmingham as a Division I athlete at the University of Alabama at Birmingham before leaving to pursue professional basketball on international teams. After a life-altering injury, she became a true Birmingham transplant, planting her roots in the city. But that’s only a part of her story, and in this season of Belle Collective, you’ll learn more about who she is and what she’s on a mission to accomplish.

On the heels of the first episode premiere and several pre-premiere interviews,  I sat down with Amber to discuss some of the questions I hadn’t heard about the show.  

When I got on a call with Amber, the first thing she told me was that she’s been deliberately avoiding the blogs. Not out of fear exactly, but more so self-preservation. She knew going in that perception would be completely out of her control, but she’s decided to embrace it.

“I don’t want anything to shift my mood. I haven’t gotten to that space where I’ve never received public negative backlash or anything. So if that does happen, that will be a first for me. I accepted the fact, hey, if I’m going to be on reality TV, I have to show my real life, and just however people perceive it, that’s just how people perceive it.”

For viewers who aren’t from the South, some of the early episode tension between castmate K’la might read as small. I have to laugh at the thought because I think if you have to ask, you probably didn’t grow up here. Why does that matter if someone doesn’t speak when you walk into a room? 

 “Down South, we speak. And if you’re walking directly and you’re looking at me, or if you walk in a room with people I know, I just expect just to say hello. That’s just common courtesy. And if you don’t, I’m like, what’s the issue?”

One teaser-like gem in the first episode shows Amber’s relationship with her niece, Kylin. She said she and Kylin made a deal when she moved in that she would treat her grown woman, so I asked her about sharing a home and a bit of the spotlight with her niece. Kylin is, in Amber’s words, “a little young crash out that we all were at one point.” Beyond the “coat stealing” and the keeping-her-on-her-toes moments is a financial takeaway that I think many can practice.

“The biggest life hack is not having bills and being able to get ahead. If a parent curates a space where the child feels comfortable coming back for two or three years out of college, do you know how far ahead they can get by not having any bills?”

As CFO, Amber’s job at the beauty brand is basically to be the person who says no when necessary. Stormi, she told me, is a creative and a marketing mind, and if Stormi had it her way, everything would be marketed. Amber’s job is to hold the line, budgeting, forecasting, overseeing payroll, managing benefits, and asking what the company can actually afford. It’s the kind of role that makes a business sustainable instead of just exciting.

“A company has different departments where everything has to be balanced. It’s not only the credit, the base credit, all of that, but it’s making sure that we’re set up to succeed going forward.”

Anyone who’s watched a promising small business grow fast and then collapse even faster knows exactly why that role matters.

Here’s a detail I genuinely loved: Amber did not have TVs in her house for the first two years she lived there because she just didn’t watch TV. Between growing up where she played five sports in high school and being deep into personal development after college, she never picked up the habit. Even when Stormi appeared on Love and Marriage Huntsville, she said she may have watched one episode, but things are different now. She has a TV in her bedroom now, and she’s been catching up on Real Housewives of Potomac. I asked about how she felt about reality TV being on the opposite side of things

“A lot of people have this one moment that could have happened seasons ago that people just never forget. People’s entire future is defined by one moment.”

If you’re visiting Birmingham and want to experience it the way Amber does, then add Battle Republic Boxing Gym, the restaurant Johin’na, and a Barons baseball game.

As a native and resident, there’s something about a Barons game on a summer night in Birmingham that she is absolutely right about.

Belle Collective airs Fridays at 9:00 PM ET/PT on OWN: Oprah Winfrey Network.

Follow along at @OWNTV and @coachamberjones, and join the conversation with #BelleCollective.

This article Amber Jones Didn’t Come To Reality TV To Play A Character was originally published on HerAgenda.com

Kerry Washington, a renowned American actress and producer, is recognized for her excellent performances in multiple television shows and movies in the entertainment industry. At 49 years old, she has built a career that has placed her at the forefront of Hollywood.

Influenced by growing up in the Bronx, a crucible of art and culture, this community formed the definition of her identity, creativity, and self – expression. As a result of this, she developed a passion for the performing arts.

This has transformed into a career that intersects acting, production, and entrepreneurship with the aim of amplifying marginalized voices and championing social change. From acting in numerous powerhouse roles to directing and producing films that impact people and communities, Kerry has made impactful and intentional strides throughout her career.

Acting: Building a Legacy of Powerful Performances

Washington has been acting for more than thirty years, delivering around 65 performances across film, television, and the stage. 

One of her first breakout roles was as a guest star in the film “Save the Last Dance”. She played Chenille, a direct and loyal best friend, bringing depth and heart to an otherwise side character. Her performance here highlighted the world of success that would be possible in her career. After this, she continued to play strategic and diverse roles in films like “Ray”, “The Last King of Scotland”, “Django Unchained”, and “Fantastic Four”, ensuring her name stayed relevant in film conversations.

She eventually rose to prominence with her portrayal of Olivia Pope in Shonda Rhimes’ acclaimed television series “Scandal,” which aired from 2012 to 2018. This role demonstrated her versatility as an actress and made her a symbol of empowerment for women of color in the media. This performance earned her a Primetime Emmy nomination, making her the first African American woman to be nominated for a lead role in a network television drama in nearly 40 years.

Additionally, she has received several Golden Globe, Screen Actors Guild Awards, and Tony nominations and won multiple honors in the NAACP Image Awards, including Outstanding Actress in a Motion Picture.

Recently, she has starred in the Knives Out mystery sequel, Wake Up Dead Man, the mystery drama Little Fire Everywhere, the comedy drama UnPrisoned, the crime thriller Animals, the historical drama The Six Triple Eight, and the TV drama Imperfect Women.

Directing & Producing: Creating a Seat at the Table

Kerry Washington noted that one of the greatest gifts of her career is stepping into producing and directing, so she’s no longer waiting to be invited to the party. She’s building a table that she actually wants to be at. In directing and producing, she has more agency, more authority, more choice, and more power. 

She first got into directing in 2018, when she went behind the camera to lead several episodes of Scandal. Since then, she has directed a couple of episodes in Insecure, SMILF, and Reasonable Doubt.

As a producer, Kerry has created about sixteen stories that reflect a diverse range of visual and audio experiences. In 2016, she co-founded the production company Simpson Street, named after the Bronx street where she grew up, aiming to create content that empowers women and communities of color.

Simpson Street focuses on storytelling across film, television, and podcasts, producing standout projects such as Netflix’s 2019 Emmy-nominated TV movie American Son, the NAACP Image Award-nominated action thriller Shadow Force, Hulu’s 2020 Emmy-nominated miniseries Little Fires Everywhere, the NAACP Image Award-nominated Audible podcast The Prophecy, Hulu’s comedy-drama UnPrisoned, and the new Apple TV series Imperfect Women.

The production company also produces Reasonable Doubt, Raamla Mohamed’s legal drama for Hulu, which earned a fourth-season renewal in November. She is also currently developing Wisteria Lane, a Desperate Housewives spin-off for Onyx Collective, and an Audible series Between Me and You with Jurnee Smollett. Lastly, Netflix recently revealed that she will star in and executive-produce director Jaume Collet-Serra’s upcoming film, An Innocent Girl.

Producing with Purpose

By producing, Washington has been able to create more opportunities for herself and take more risks. For instance, by acting in and producing an action movie, she created an opportunity for herself. This has afforded her the chance to work in a way where she’s always challenging herself. 

Kerry has discussed Simpson Street’s mission and the types of stories they produce. They like their work to be very specific, as the universal is in the specific. In an article by The Wrap, she said, “What we’re looking for when we say what makes us all the same is we all want the same things. We want to belong, we want to be loved, we want to feel safe, we want to live a life filled with justice and security. So how do we find those real core human values that we’re all looking for, but in a costume or in a context that feels unique and like something you’ve never seen before?”

Simpson Street looks for stories about very unique people, cultures, and situations, but develops stories and frameworks that are about the things we all share. Kerry has also imbued collaboration into Simpson Street. They have partnered with Reese Witherspoon’s company, Hello Sunshine, on Little Fires Everywhere and Elisabeth Moss’s company, Love & Squalor Pictures, on Imperfect Women. 

As Kerry Washington has grown as a woman and a creative, she dedicates herself to the power of art to change culture and transform hearts and minds.

This article How Kerry Washington Turned Acting Credits Into Production Power was originally published on HerAgenda.com

An accomplished Broadway actress and singer-songwriter, Keziah “Niambi Ra” John-Paul, has charted a fairly impressive career over the past decade. Born and raised in Washington, DC, her artistic journey is heavily influenced by her mother, who is a dancer, arts administrator, and global arts advocate.

“From about three years old, my mother put me into dance, and from there everything just expanded: music, acting, and more,” Niamba says. “I really gravitated toward acting and took many acting classes.”

This led to a decade or more of formal education in the arts. She attended Duke Ellington School of the Arts in DC, a 96% black public arts high school that requires an audition or portfolio for admission, with a mission to give students access to arts education they might not otherwise have.

Afterward, she enrolled at NYU Tisch for musical theatre. “While in high school, I began making music alongside my work as an acting major. “When I started college, I struggled to choose between musical theatre, music business, or jazz and contemporary music, but I knew I wanted to continue both music and acting,” Niambi recalls.

Her Broadway Journey With The Book Of Mormon

From getting a job on Broadway as soon as she graduated to starring in the Book of Mormon for about 11 years, Niambi’s musical theatre journey has been interesting. She’s been training her whole life, and she trained extensively at NYU, where she also studied abroad in Ghana for a semester.

“In her senior year, Niambi’s class performed The Wild Party as a student showcase, inviting industry professionals, and the performance prompted them to ask her to audition for The Book of Mormon.”

“This all happened the week before I graduated. I auditioned over several days, and everything felt very fresh—I had just finished school, so my skills were sharp,” she says. “I got the role on my graduation day. The next week, I started on Broadway, and I stayed with the show for 11 years.” 

During this period, she worked in every capacity: a swing, covering all the women’s roles, an understudy, and B. In her final year, she became the lead.

But this never stopped her from writing and performing music. “While I was in The Book of Mormon, that job actually funded my music career, my debut album, performances, studio time, and paying musicians,” she says. 

Continuing Her Music Journey

Her musical theatre experience has now bled into how she shows up as a singer-songwriter. 

“For me, everything goes hand in hand because at the core, I’m a storyteller, whether I’m acting, performing musical theatre, or creating my own music,” Niambi says. “The responsibility to tell stories clearly, authentically, and with high quality comes from my theatre training. I’m also very expressive and a big performer, even in my own music.”

She also records and performs her music with a band, Niambi RA and the Black Stars. “My performances are about giving people a full experience, not just music,” she says.

The theatricality naturally comes through in her work in a way that builds a world. “Even in my recordings, you can hear it in the humor, the ad-libs, and the soundscape. It’s all about creating an immersive experience, much like musical theatre,” she says. 

After a decade, the Broadway role started affecting her mental health, and it felt like the right time to move on to her first love, music.

Her Debut Album: The Stellar Nebula

Released on Niambi’s 33rd birthday, the album title Stellar Nebula means “birth of a star, marking a new chapter for her.

“I think hip hop itself has always carried a vision of Afrofuturism,” she says. “Hip-hop is a way to tell stories that need to be told, to call for action, and to imagine a better future. That sense of futurism is authentically ingrained in the genre, and you’ll hear that influence in my work, alongside the cosmic jazz soundscapes of Sun Ra, sounds that evoke stars, constellations, and the ether.”

Stellar Nebula is about questioning, exploring adversity, and processing personal challenges about myself and my relationships. It’s about moving through darkness, turning poison into medicine, and holding faith for brighter days.

Another influence is that the majority of the songs are live recordings with Niambi’s band playing. “That’s intentional as I’m really passionate about live music,” Niambi says. “This influence comes from growing up in DC, where we had our own genre, Go-Go music, which is driven by live performance.

As a lot of the songs weren’t originally on the album, Niambi approached the cohesion through live performance. “Performing them live created continuity, giving the tracks a shared soundscape even though they started as separate pieces,” she says. “Most of the songs were mixed and mastered by the same person, which helped maintain cohesiveness. And for the other songs, I thought carefully about placement and the story they told.”

Moving forward, she plans to do a big album release performance. 

“I’m in a transitional phase right now, which is beautiful, but I don’t fully know what’s next yet,” Niambi says. I want to keep making music and exploring new sounds. Artistically, I see my work as something that comes from God, something beyond myself. So I want to be more intentional about where I place my art and the stories I tell.”

Currently, she’s focusing on being responsible with her gift and understanding why she’s an artist in the first place.

This article Niamba Ra, Her Musical Journey From The Book Of Mormon To Her Debut Album ‘Stellar Nebula’ was originally published on HerAgenda.com

Amy DuBois Barnett has spent nearly 30 years deciding whose stories get told. As the editors-in-chief of Honey, Teen People, and Ebony, Amy led Black media into a whole new era. But after building iconic brands for Disney, Paramount, and Hearst, Amy has returned to her first love: storytelling through fiction. Her debut novel, If I Ruled the World, is already being hailed as a 2026 must-read, with a major television adaptation already in development at Hulu.

One of the most refreshing aspects of Amy’s current chapter is her refusal to subscribe to traditional timelines. In a society where social media creates major pressure to achieve everything by 30, Amy is making her debut as a novelist and TV writer in her 50s. 

“Wherever you are is where you are,” she says. 

She is adamant that women should stop measuring their progress against the highlight reels of others. For Amy, this moment isn’t just a new career, but a return to her original dream. Though she spent years as a corporate executive, she earned her MFA in creative writing in her 20s. Her story is a powerful testament that there is no delay when it comes to your desires. Your goals are always available to be accomplished. 

Amy’s career is an excellent example of overcoming the stigma that women in leadership face. In the previously reported Women in the Workplace report, women, particularly women of color, are often overlooked. The research shows that for every 100 men promoted to manager, only 87 women (and 81 women of color) make that first step. Amy beat these odds by leading with a mix of creative vision and a relentless business mindset. For example, she redesigned the mission and logo of Ebony during her tenure.

Amy Dubois Barnett Uses Manifestation To Reach Her Goals

One of the most compelling parts of Amy’s journey is her focus on manifestation. For Amy, manifestation isn’t about vision boards.

“You know, for me it’s not like cutting pictures out of a magazine and putting ’em on a poster board. I mean, that may work for some people. That’s just not how I do it,” she stated during the episode. “I don’t think about, okay, what can I do to get to my goal, right? I think, who do I have to be? Like, what, who, how am I walking through the world in order to be the person that has this goal?”

She emphasizes that the universe doesn’t grant opportunities you don’t truly feel you deserve. This commitment, paired with a strong work ethic, is how she moved her manuscript from a 15-year shelf-life to a development deal with Lee Daniels.

Despite her massive wins, Amy is candid about the losses as well. She recalls a moment during the 2008 recession when a signed contract was pulled by a CEO before the ink was dry, leaving her without a job. 

“It is not done until the ink is dry,” she warns. 

These setbacks, however, became her motivation. By letting the failures inform her perspective, she returned to the industry stronger, wiser, and ready to rule the world.

Click the image below to listen everywhere podcasts are available. Watch on YouTube here.

This article Amy DuBois Barnett On Manifesting Big Goals And Achieving Them was originally published on HerAgenda.com

Lately, everything in the world feels heavy. It seems like we’re all consumed with doom scrolling, endless bad news, and nonstop chaos. It’s enough to make you wonder if there’s even room to romanticize life or find joy, even in the struggle.

Sometimes you just have to take a break to escape and recalibrate with a movie night. The following films feel like a breath of fresh air. They’re full of color, charm, and moments that remind you it’s OK to take risks, chase dreams, and fall in love with life again. From self-love marathons and snowed-in romances, to New York media adventures and cult-classic adventures, each story celebrates reinvention, boldness, and savoring life’s magic.

1. Falling for Figaro, Streaming on Apple TV 

Danielle Macdonald plays a woman who leaves a stable finance job to pursue her dreams of opera. The singing and lavish Scottish backdrop alone is enough to captivate, perfectly complementing the film’s charm, humor, and inspiring story of passion, courage, and self-discovery.

2. Finding Joy, Streaming on Amazon Prime Video

Joy, the main character, navigates emotional crossroads and relationships and leans heavily into healing, faith, and new love. She does all of this within the stunning landscapes of Colorado. There’s also the almost-cliché yet irresistible allure of two people stuck in a snowed-out cabin, sparking romance and laughter.

3. The Forty-Year-Old Version, Streaming On Netflix

Radha Blank stars as a struggling playwright and educator nearing 40 who reinvents herself through hip-hop. She confronts artistic compromise and the dynamics of age-gap love amidst the vibrance pulse of Brooklyn, N.Y. Shot in black-and-white, the film gives a nod to Spike Lee’s “She’s Gotta Have It” that adds a bit of gritty whimsy and comedy.

4. Brittany Runs A Marathon, Streaming On Amazon Prime Video 

Jillian Bell plays a heavy-partying New Yorker who begins running to improve her health. In the process she finds self-love beyond weight loss, shifts her perspective on what’s living well really looks like and enjoys the benefits of maturity during difficult times. 

5. Unthinkably Good Things, Streaming On Hallmark 

Three friends reunite in Italy, rediscovering love, purpose, and connection. There are elements of warm escapism and a focus on Black women in friendship, personal growth, and romantic renewal over a span of years in the U.S. and abroad.

6. B.A.P.S, Streaming On Starz 

This cult classic stars Halle Berry in a once-risky role, playing a ‘hood-fabulous woman traveling from Atlanta to Los Angeles with her best friend to find financial freedom. Enjoy the spectacular Black culture and style of the ‘90s, and the empowering themes of sisterhood and radical faith.

7. Mahogany, Streaming On Amazon Prime

Diana Ross shines as an aspiring fashion designer who rises to fame, from gritty beginnings in Chicago to glamorous runways in Italy. This classic combines flamboyance, with themes of ambition, love, and self-definition at a time when women’s rights were restricted.

8. Happiness Ever After, Streaming On Amazon Prime

Set in South Africa, where safari meets luxury, this film blends romance, art, and reinvention with its beautiful depictions of the nation, whimsical style of the characters and their homes, and all the themes of love, friendship, and resilience you need for a good watch.

9. The Perfect Find, Streaming On Netflix

Gabrielle Union plays a millennial media professional who risks her career and reputation for a secret romance with her boss’s son. From vivid magazine shoots and a nostalgic R&B soundtrack, to stylish modern-day pop-art offices, vibrant restaurants, and mid-century homes, the film captures the vibrancy, charm, and magnetic allure of life in media.

10. Sylvie’s Love, Streaming On Amazon Prime 

Tessa Thompson plays a young woman who embodies class, style, and privilege in 1960s New York City. A TV producer, she navigates love with a struggling jazz musician amid lush, nostalgic, and emotional historical-fiction storytelling.

This article 10 Women-Centered Films About New Beginnings And Romanticizing Life was originally published on HerAgenda.com

For decades, the “power list” has served as the professional world’s most coveted shorthand for success. However, as the global economy undergoes a major shift, the traditional recognitions of achievement are changing. 

Today, leadership is no longer defined solely by tenure or title, but rather by the audacity to build in the face of uncertainty. At Her Agenda, we recognize that modern women are moving beyond the era of seeking permission. They are designing their own frameworks, funding their own visions, and, quite literally, designing their own paths.

To honor this evolution, we are proud to announce the call for nominations for our inaugural list of The Groundbreakers. Her Agenda will celebrate 50 women who are transforming their fields and shaping the infrastructure of tomorrow.

Being recognized on a curated list is more than a fleeting moment of prestige. We are documenting shifts in those making economic and professional moves. Research shows that visibility is an important tool for women in business. 

According to the 2025 Women in the Workplace report by McKinsey & Co. and LeanIn.Org, women continue to face the “broken rung,” where for every 100 men promoted to manager, only 87 women (and only 81 women of color) make that first step up. Inclusion in a high-profile list helps repair this rung by providing the external visibility and third-party validation necessary to attract sponsorship, venture capital, and board seat invitations. By highlighting these 50 leaders, we are creating a platform for their personal brands, ensuring their impact is seen by the decision-makers who shape the global economy.

Defining The Groundbreakers

A Groundbreaker is a woman who sees a void and treats it as a blueprint. Our 2026 index will focus on five distinct pillars of impact:

• The Ambitious: Rising stars who are fueled by vision and drive. These women are early in their journey but already demonstrating bold action, focus, and promise.
• The Agenda Setters: Cultural visionaries and media influencers shaping conversations across entertainment, fashion, art, and digital platforms.
• The Achievers: Proven leaders with track records of exceptional business results, organizational impact, and measurable success in their industries.
• The Advocates: Changemakers in nonprofit leadership, caregiving, social justice, and community building – perfect for purpose-driven brand alignment.
• The Architects: System builders and infrastructure creators whose work enables others to rise. These women design the frameworks, institutions, and foundations that transform entire fields-their innovations outlast trends and shape what comes next.

We invite you to help us find the women who are challenging norms and redefining the very nature of success. Whether they are building the tech of the future or the social justice frameworks of today, we want to hear their stories.

Nominations for the inaugural Groundbreakers are now open! Applications close on July 18, 2026.

This article The Groundbreakers 2026: Nominations Open Now! was originally published on HerAgenda.com

Women have long shaped the heart and soul of jazz, bringing fearless expression, storytelling, and innovation to one of the world’s most influential musical traditions. From smoky clubs and juke joints to global concert halls and Kennedy Center Honors, these artists helped define the sound and spirit of the genre.

Legends Ella Fitzgerald, Billie Holiday, Hazel Scott, and Nancy Wilson transformed jazz singing with unmatched phrasing, emotional depth, extraordinary musicianship and improvisational brilliance. Their recordings, which garnered multi-platinum sales, broke racial barriers, and made them global sensations, set the standard for vocal jazz and continue to influence generations.

Others expanded jazz’s artistic boundaries in powerful ways, including visionaries like Nina Simone, Betty Carter, and Jeanne Lee, infusing the music with activism, daring improvisation, and avant-garde exploration.

Instrumentalists and spiritual innovators such as Alice Coltrane and contemporary artists like Jill Scott and Michelle Farrell demonstrate that the lineage continues to evolve. And today, a class of bold performers carries forward the tradition, proving the era of the queens of jazz is far from over.

Samara Joy

At just 26, Samara Joy has become one of modern jazz’s brightest voices. Known for her warm tone and classic phrasing inspired by legends like Ella Fitzgerald, she’s a six-time Grammy winner, with the most recent being Best Jazz Vocal Album for “Portrait” this year, continuing her rapid rise as a forerunner in jazz. The Obamas have raved about her talent and this year she heads to perform in Las Vegas for the first time, among other tour stops through the spring and fall.

Jazzmeia Horn

She’s a powerhouse jazz vocalist known for her virtuosic scat singing and bold compositions, and she blends classic vocal jazz traditions with modern storytelling and original songwriting. A Thelonious Monk International Jazz Vocal Competition winner in 2015, she would go on to be nominated for several Grammys and win the NAACP Image Award for Outstanding Jazz Album for her second album, “Love & Liberation,” in 2020. Her most recent album “Messages” showcases deeply personal material and further solidifies her influence.

Veronica Swift

Swift is a dynamic vocalist celebrated for her range and theatrical stage presence. effortlessly blends jazz, opera, rock, and cabaret influences, pushing the boundaries of genre. Her self-titled album “Veronica Swift” highlights her stylistic versatility and fearless interpretations of both standards and contemporary material.

Daymé Arocena

This Grammy-nominated and Juno award-winning Cuban singer, composer, and choir director is known for combining Afro-Cuban rhythms with spiritual jazz and soul. Her rich voice channels both jazz improvisation and traditional Cuban music. International tours and critically praised albums have expanded her global reputation as a powerful ambassador of modern Afro-Latin jazz.

Roxy Coss

A highly respected saxophonist, composer, and bandleader who has a Grammy and an ASCAP Young Jazz Composer Award under her belt, she has a talent for lyrical yet adventurous improvisation. Coss blends modern harmony with social awareness. She has released several acclaimed albums and is also an advocate for gender equity in jazz through leadership roles in musician organizations.

Emily Bear

Bear gained recognition early as a child prodigy and would later study at Julliard and New York University. A legendary TikTok team-up would take her “Bridgerton”-inspired work viral (which would earn her a Grammy win in 2022) and lead to a bit of notoriety in the aftermath. Her compositions and collaborations across genres showcase her virtuosic technique, modern arrangements, and unique ability to blend cinematic storytelling with jazz improvisation.

Ego Ella May

London’s Ego Ella May is a MOBO award-winning artist who merges jazz harmony with neo-soul and hip-hop textures. Her expressive vocals and poetic lyrics explore identity, spirituality, and Black British culture. Through albums and collaborations within the vibrant UK jazz scene, she has emerged as one of the movement’s most distinctive and thoughtful voices.

Ledisi

This singer-songwriter and actress is a Grammy-winning veteran in the music business who has also been honored at the NAACP Image Awards, the Soul Train Music Awards and the NAACP Theater Awards, to name a few. Along with her recent tribute album for legendary jazz vocalist Dinah Washington (with a previous completed for Ella Fitzgerald), she is celebrated for her soaring vocal range and her blends of  jazz, soul, gospel, and R&B. She starred as gospel phenom Mahalia Jackson in a 2022 biopic and continues to tour globally.

Bonus: Moonchild

Moonchild is a Grammy-nominated modern jazz-soul trio known for lush arrangements, dreamy production, and the airy lead vocals of Amber Navran. Navran is a songwriter who also plays saxophone, flute, and keyboards with the band. Moonchild’s music has been featured on popular TV favorites like  “And Just Like That…,” “Black Lightning,”and “Queen Sugar.” The band continues to tour worldwide, and their latest work, “Waves,” includes collabs with Jill Scott and Lalah Hathaway.

This article The Queens of Jazz: Women Artists Bringing The Genre Back To Life was originally published on HerAgenda.com

As reported by several outlets, KiKi Shepard has died. She was 74. KiKi was best known as the co-host of “Showtime at the Apollo” and a major advocate for sickle cell disease. Her family, along with the KIS Foundation, released a statement amid the news of KiKi’s passing.

Official Statement From The Family Of KiKi Shepard And The KIS Foundation, Inc.

“It is with profound sadness that we announce the unexpected passing of our beloved KiKi Shepard, cherished Sister, Auntie, friend, and an unwavering advocate for those living with sickle cell disease.
 
For 15 years, KiKi brought grace, warmth, and joy into the homes of millions as the beloved Co-Host of Showtime at the Apollo. She was also renowned as the Apollo Queen of Fashion and Ambassador of the show. Beyond the spotlight, however, her greatest passion was service. Through The KIS Foundation, Inc., a 501(c)(3) non-profit organization which she founded 20 years ago. KiKi dedicated her life to raising awareness, providing support, and advocating for families affected by sickle cell disease — a cause deeply personal to her heart.

 
KiKi believed that compassion, community, and education could change lives. Her voice uplifted countless individuals who often felt unseen, and her work created lasting pathways for hope, resources, and understanding for those living with this disease.
 
To her family, she was our guiding light: strong, loving, joyful, and endlessly generous. To the community she served, she was a tireless champion and a source of inspiration.  KiKi is survived by a loving Sister, a Nephew, and Two Nieces.
 
We are heartbroken by this loss, but we remain committed to continuing the mission she built with such love and determination. The KIS Foundation will carry forward KiKi’s legacy of advocacy, empowerment, and care for the sickle cell community.
 
We thank everyone for the outpouring of love, prayers, and support during this incredibly difficult time. Details regarding memorial services and ways to honor KiKi’s legacy will be shared in the coming days.
 
KiKi’s light, compassion, and purpose will continue to shine through all those whose lives she touched.”

Her Agenda sends its condolences to KiKi’s friends and family.

This article ‘Showtime At The Apollo’ Co-Host, KiKi Shepard, Dead At 74 was originally published on HerAgenda.com

If you are a millennial woman, Ann Shoket likely shaped how you view beauty, fashion, and pop culture. As the Editor-in-Chief of Seventeen during its peak era, she was the gatekeeper of cool. However, looking back, Ann doesn’t see her time at the legacy brand as the ultimate destination. She sees it as a lesson in the power that women hold.

When asked if ambition has become a dirty word for career women, Ann is quick to reframe the narrative. “Pick another word,” she challenges. “Freedom. Do you like freedom? Do you like possibilities? Ambition is just wanting what you want and knowing you have the ability to get it,” she stated in the episode.

From The Throne To Ownership

Ann describes her time at Seventeen as sitting in a borrowed seat, a legendary throne she was honored to sit in, but realized she didn’t own. Shoket admits the transition to entrepreneurship wasn’t initially the plan, but it became her savior. Ann recalls the weight of trying to save the magazine business from the 2008 crash and digital shifts.

“The day I realized those were no longer my problems to solve was the best day of my life,” she clarified. Freed from trying to save a dying industry, she focused on her true mission: talking to the next generation of women about their life plans.

Solving The Loneliness Of High Achievement

After the pandemic halted her summit-based business, Ann pivoted again, acquiring The Li.st, a high-impact community featuring names like Shonda Rhimes and Jodi Cantor. Why? Being a high-achieving woman can be inherently lonely.

“The world is not built for you. The world is not built for me,” Ann says. By creating a community for women who have already broken the rules, she is moving past incremental change toward sparks of creativity. 

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This article Ann Shoket On Why Ambitious Women Need Each Other was originally published on HerAgenda.com

Stubborn. That is the trait that bobsled Olympian Elana Meyers Taylor attributes to her first gold medal win at the 2026 Winter Olympic Games in Italy.

“If you’re stubborn and do something for twenty years, it will work out,” the Atlanta native told 11Alive in an interview at the Games recapping her placements at the monobob and two-woman bobsled races at the Games.

“It definitely was stubbornness at times. It was definitely determination,” Meyers Taylor told CBS News.

The win was not only personal for the five-time Olympian, but it was historic. Meyers Taylor is the oldest gold medal winner in the Winter Olympic record. She won by 400th of a second, which some believe to be the narrowest win in the sport. At the two-woman bobsled event, Meyers Taylor and teammate Jadin O’Brien placed 7th.

Motherhood As An Athlete

For viewers, however, the heart-tugging moments in Meyers Taylor’s success at the Olympic Bobsled competition were when she hugged her nanny immediately following her victory, and signed “Mommy won” in American Sign Language to her deaf sons: Nico, 5, and Noah, 3.

The joyful, tear-filled cameo spurred a wave of reaction from fans and parents of children who have Down Syndrome, a condition Nico was diagnosed with. They expressed how meaningful it was to watch her tell her kids in ASL that she won and detailed how they related to the subtle moment of Nico not wearing shoes, a trait some parents of kids with Down Syndrome navigate themselves, she said in the CBS interview.

Balancing motherhood and her athletic career, however, required a support system for Meyers Taylor.

Nannies, her spouse, family members, and friends have encouraged her, supported her, and made the win possible.

Meyers Taylor married fellow bobsled Olympian Nic Taylor in 2014. Following the birth of their children, Meyers Taylor began advocacy work for the disabled and deaf communities. Her areas of focus in her advocacy include accessibility, inclusion, and access to resources for families with kids belonging to either community.

She has worked with organizations such as the Global Down Syndrome Foundation and the Georgia Council on Developmental Disabilities, according to press releases from the respective organizations.

Where It All Started

In 2010, Meyers Taylor made her Olympic Games debut in Vancouver, where she won bronze, according to the Team USA website.

She would go on to compete in every Winter Olympic Games since then, which occur every four years. Each time, taking home at least one medal. At the 2022 Olympic Games in Beijing, she earned two medals: Silver for monobob and Bronze for the main event in her sport, according to Team USA. Here, she set the record for most medals by any black athlete in Winter Olympic history, a title she still holds.

In 2007, she began her competition journey as a bobsledder and made the Team USA national team as a rookie. Her athleticism and tether to the Olympic Games, however, started early. Before excelling as an athlete in college, she held the torch as a child in the 1996 Olympics.

Meyers Taylor’s bobsledding success transcends the quadrennial Games. She has won several monobob and multi-competitor bobsledding competitions at the IBSF World Cup, IBSF World Championships, Pan American Championships, and mixed-gender competitions in the off-season Olympic cameos. This gold medal win, however, leaves room for Meyers Taylor to defend her success through more competition and retiring her bobsled.

“Now that I actually have a gold medal, I don’t feel the need to go get it anymore,” Meyers Taylor told CBS News. “Now if I wanna keep going, it’s truly because I wanna keep going.”

This article Elana Meyers Taylor Wins Gold: A Look At Her 2026 Winter Olympics Win was originally published on HerAgenda.com

10 years ago, Myleik Teele had a conversation with Tricia Lee that made her “angry” and unsettled for years. On February 22nd, they finally unpacked it together — in front of 100 women.

What began as a meet-and-greet turned ad-hoc coaching session between the two women manifested in the most beautiful way at a live recording of the Short & Sweet with Tricia Lee podcast featuring guest Myleik Teele. The podcast was filmed and recorded in the intimate setting of the MODEx Studio in Atlanta’s Buckhead community delivered a masterclass in the personal and professional evolution of both women.

Tricia Lee, founder and CEO of Polish Bar Brooklyn, turned real estate entrepreneur, launched the Short & Sweet with Tricia Lee podcast earlier this year as a space to leverage her voice and her perspective. 

She opened the live podcast episode by revisiting that original exchange and how she struggled to answer some of the questions posed by Myleik around motivations and goals in her life and career. Moreover, she revisited the emotions self-described as anger because she wasn’t ready to unpack those things before introducing the guest — Myleik Teele.

Myleik Teele, known for entrepreneurial success with the subscription box service, CurlBox, as well as podcasting, online community-building and now coaching, had an eye for hustle, but a heart for people that made her known to friends and colleagues as a thought-partner. Myleik shared how the same meeting was about admiring Tricia’s hustle but also recognizing some of the insecurities that Tricia gave power to and questioning their truthfulness in her next act of real estate work.

For both women, who’ve successfully transitioned to different careers, here’s a few of the themes shared in the conversation were:

Tricia Lee on the current state of Black women in the workplace:

“In a time where Black women are being systemically pushed out of the workforce, the conversation touched on how Black women have to redefine what success and failure mean; moreover, they must focus on the parts they can control.” 

Tricia Lee on success:

“I had what everyone wanted, but I didn’t want it.”

Tricia Lee on having more harmony in this career:

“I refuse it do it any other way. I will create a great life and find ways to support that. It’ll never be the other way around again.”

Myleik on being private, rather than asking for help:

“Private for what? What a prison! People can’t help you because you’re so private.”

Myleik on being afraid to pivot:

“More people can relate to the truth of your story than the package you’re trying to sell them.”

Myleik on feeling like you’re starting over:

“You’re starting with experience, not from scratch.”

The amount of wisdom shared from the lived experience of both women was equal parts inspiring and necessary for the audience filled with women of all ages navigating their own transitions.

The event closed with audience questions and answers that related to retirement, burnout, and self-awareness before transitioning to mingling, photo opportunities and exploring the attendee gift bag featuring goodies from Pattern Beauty, Be Rooted, My Happy Flo, and more. 

Short & Sweet with Tricia Lee is available on YouTube and Spotify.

This article Tricia Lee And Myleik Teele Share A Recipe For Pivoting was originally published on HerAgenda.com

In this season two premiere episode of the Her Agenda podcast, Lisa Price, the legendary founder of Carol’s Daughter, joins us for a masterclass discussion on longevity, legacy, and reclaiming one’s narrative. After over 30 years in the beauty industry, Lisa shares the groundbreaking news of her company’s return to independent ownership. She provides a rare, transparent look at the process of buying back your brand, the reality of burnout, and the power of returning to your community when the corporate world feels overwhelming.

Episode Highlights

1. Introduction: Rhonesha introduces Lisa Price as a pioneer who built an empire from her kitchen, navigated an acquisition, and is now leading Carol’s Daughter into a new era of independence.

2. The Balance Of Business: Lisa discusses the challenge of being an older entrepreneur in a social media world. She shares how she balances the demand for personal transparency with the boundaries of a corporate veteran.

3. The Return To Independent Ownership: The journey that led to the 2025 decision to bring Carol’s Daughter back to its independent roots. Lisa unpacks why this rare business trajectory had no blueprint to follow.

4. The L’Oréal Years: Lisa addresses the “sell-out” narrative and the backlash from the 2014 L’Oreal acquisition. She discusses the personal development work required to lead through a transition of that scale and the positive impact it had on her team’s security.

5. Rewriting The Story: A candid look back at the Chapter 11 bankruptcy filing of 2014. Lisa clarifies the business reality versus the public’s negative perception, explaining how she navigated saving her brand.

6. Holding The Door Open: Lisa’s perspective on being a first for Black women in business. She discusses the weight of responsibility to normalize success and ensure the door stays open for the founders coming after her.

7. The Breaking Point And The Sabbatical: In a vulnerable segment, Lisa shares the moment she realized she needed a mental health break. She describes sobbing on a call with HR and how that time off renewed her perspective and her health.

8. The Power Of Vulnerability: The importance of founders Black women founders being transparent about the good, the bad, and the ugly. Lisa explains why being open helps other entrepreneurs feel less alone.

9. Advice For Growth And Scaling: Lisa’s timeless advice for Black women founders: “All money is not good money.” She emphasizes making decisions from a place of peace rather than turmoil.

10. Looking Forward: Lisa’s vision for the new era of Carol’s Daughter and her commitment to the heart and spirit of her consumer community.

Click the image below to listen everywhere podcasts are available.

This article Lisa Price On Ownership, Mental Health & Black Entrepreneurship was originally published on HerAgenda.com

Alysa Liu’s return to competition was not about chasing trophies, as it was about rediscovering joy. Starting with a handful of smaller pro-am events and gradually building confidence, she began to enjoy skating again on her own terms. Within a year of deciding to skate competitively again, she captured the 2025 World Figure Skating Championships title, becoming the first American woman to do so since 2006.

Then, at the 2026 Winter Olympics in Milan, Alysa made history again by winning Olympic gold in women’s singles, ending a 24-year U.S. gold drought in the event. Her performance, set to a lively free skate, embodied the evolution of her mentality: technical brilliance expressed through joy and freedom.

This arc, from child prodigy to burned-out teen, to joyful champion, forms the backbone of her unique philosophy on achievement.

Embracing Struggle As Fuel

One of Alysa’s most memorable lines, “struggle makes me feel alive,” reveals how she reframes pressure. Rather than dread competition, she treats it as a space where she feels most present. This isn’t denial of nerves, but a deliberate choice to feel energized by challenge rather than weighed down by it. She has also said she feels “the least stressed during competition”, a testament to her reframed relationship with pressure that prioritizes presence

Skating For Love, Not Validation

Perhaps the most radical shift in Alysa’s approach is her detachment from outcome. She’s stated openly that winning and losing don’t define her, and that she skates simply because she loves to skate. This perspective, which appears rare at elite levels,  frees her from the paralysis of fear and allows her artistry and athleticism to shine. Her joy shows in how she moves, how she choreographs programs, and in the genuine smiles she carries into competition.

Achievement Through Authenticity

Alysa’s story isn’t just about medals, either, as it’s about identity. She took ownership of her career, from selecting her music to designing her programs, and reclaimed skating on her own terms rather than fulfilling someone else’s vision. In interviews about her comeback, she made it clear that her return would only happen with conditions she controlled, including her training schedule, creative input, and even her diet, famously saying, “No one’s going to starve me or tell me what I can and can’t eat.” This emphasis on creative control and respect for her own mental and physical well‑being has allowed her to thrive where sheer talent alone might have wilted.

Her journey challenges the conventional athlete narrative that success must be painful to be meaningful. Instead, Alysa shows that joy, authenticity, and self‑defined purpose can fuel greatness as much as, if not more than, pressure and perfectionism.

This article Olympic Gold Medalist Alysa Liu: Key Philosophies And Approach To Achievement  was originally published on HerAgenda.com

February always hits different for me because this month feels like both a celebration and a reminder. It’s a time to look back at the women who have set precedents and one to recognize the modern-day Black history-makers who have built excellence on that foundation. Black history is not just something to study from years past. It’s alive. It’s breathing. And right now, Black women have continued to make history in real time.

While it’s great to remember the strides of those who laid the groundwork from decades past, it’s important to give flowers to the modern-day history-makers breaking records, overcoming obstacles, and creating new pathways for future generations.

And the beauty of all this? We’re doing it while wearing braids, headwraps, natural curls, acrylics, sneakers, heels, and everything in between. We are showing up as our full, authentic selves. And what inspires me most is how multidimensional our wins are. 

Black History Month is about recognizing the present and investing in the future. Let’s offer a few modern-day women their flowers, commemorating recent strides and achievements:

Laila Edwards, Hockey Player

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Laila Edwards made history as the first Black woman to play for the United States women’s national ice hockey team and the first to represent Team USA in women’s hockey at the Olympics. The 6-foot-1 forward for the Wisconsin Badgers women’s ice hockey has won two NCAA national championships and helped take Team USA to two world championship wins. At just 22, Edwards is already becoming one of the faces of American hockey and transitioned to defense for the 2026 Winter Olympics, showcasing her versatility and historic impact on the sport.

Kandi Burruss, Broadway Producer & Entertainer

One of the top favorite Atlanta Housewives, singer-songwriter Kandi Burruss expanded her legacy into historic territory last year as co-producer of the Othello revival, starring Denzel Washington and Jake Gyllenhaal. During previews, the production grossed a record-breaking $2.8 million in a single week, making it the highest-grossing play in Broadway history. This year, she’s continuing her Broadway run, this time as an actress playing Angelique in &Juliet, which is slated to continue until March, as well as working on the production team of the Broadway revival of August Wilson’s “Joe Turner’s Come And Gone.”

Stormi Steele, Founder, Canvas Beauty

Steele made history in 2024 as the first creator on TikTok to earn over $1 million in a single live session. The milestone showcases her innovative marketing strategy and relentless drive, cementing Canvas Beauty’s status as a powerhouse in the beauty industry. Last year, she launched a first-of-its-kind collaboration with Fenty Beauty, and earlier this year, launched her first celebrity collaboration with actress LaLa Anthony.

Haley Taylor Schlitz, Law Advocate

She made headlines in 2019 when she was accepted into nine law schools at just 16 years old. In May 2022, she graduated from Southern Methodist University’s Dedman School of Law, becoming the Dallas school’s youngest Black graduate. By 2024, at age 21, she was sworn in to the Minnesota State Bar Association, officially becoming an attorney. She now serves as an educator and advocate as founder of Trailblazers Forum: Youth Civic Engagement, a program in the Dallas and Fort Worth area to empower youth and teens aged 12 to 16 to get involved in positive civic action.

Beyonce, Singer & Entrepreneur

While Queen Bey has broken several records and enjoyed enormous success both professionally and financially, this 2025 history-making win was different. Fans were thrilled when she ventured into country music, but she faced just as much, if not more, criticism and snubs for breaking into a genre that is predominantly white and male. Cowboy Carter was cited as the highest-grossing country tour in Boxscore history, grossing $407.6 million and selling 1.6 million tickets. That same year, she became the first Black woman to be awarded a Grammy for “Best Country Album” for the work, which also won “Album of the Year.” With the success of the tour, merchandise sales, endorsement deals, and her liquor, haircare, fashion, and other business investments, she’s now enjoying a position among the billionaire ranks, made official late last year.

Nicole Lynn, Sports Agent

This powerhouse sports agent made history in 2023 when she brokered Jalen Hurt’s record five-year $255 million contract with the Philadelphia Eagles. She was named president of football at Klutch Sports Group in April of that year, a milestone in a sports career she started in 2015. She also broke new ground as the first woman to represent the NFL’s elite at PlayersRep, then one of the league’s leading agencies. In recent wins, she managed to secure client Myles Garrett’s contract extension deal with the Cleveland Browns—valued at $204.8 million and $100 million in cash over the first three years, with $122.8 million guaranteed and a no-trade clause—early last year, making him the highest-paid non-quarterback in NFL history.

Jessica Watkins, Astronaut

She became the first Black woman to join the crew of the International Space Station for an extended mission in 2022, marking a major milestone in human spaceflight. While more than a dozen Black astronauts—including four Black women—have traveled to space since Guion Bluford broke barriers in 1983, none had previously lived and worked in orbit for long durations. Her mission reflects the expanding diversity of astronaut crews and underscores ongoing efforts to broaden representation in space exploration and long-term scientific research.

Susan C. Taylor, Dermatology Leader

In March 2025, this Philadelphia-based board-certified dermatologist was appointed to a one-year term as president of the American Academy of Dermatology, making her the first Black dermatologist to lead the world’s largest dermatologic society. The organization represents nearly 21,000 physicians. She also serves as president of the American Academy of Dermatology Association. Dr. Taylor is also the Bernett Johnson Professor of Dermatology at Perelman School of Medicine and received the AAD’s John Kenney Jr., MD Lifetime Achievement Award in 2022.

This article These Modern-Day Black History Makers Are Advancing Society In Business, Sports, And More was originally published on HerAgenda.com

Rebecca Warfield is your backstage pass to success.

She grew up in a log cabin in Montana knowing she’d work in entertainment. It wasn’t a dream. It was a given. So she studied film and TV at Montana State, broke into award shows with Dick Clark Productions, and worked her way up from talent coordinator to talent producer. Then the writer’s strike happened. Shows got canceled. Someone told her she should be in artist management. She listened.

Nearly two decades later, she’s built a career managing some of music’s biggest names. Her real education came from Larry Rudolph, the man who discovered Britney Spears. She worked on his team during the Circus era, learning what artist management actually looks like when you do it right, how to operate with integrity, and how to make the call that’s best for your client every single time. He taught her strategy, and she’s been applying those lessons ever since.

She went on to manage Steven Tyler for five years while co-managing Aerosmith, launching his solo career and his first ever solo album. She created his charitable organization Janie’s Fund, which raised over seven million dollars in its first three years for vulnerable girls. She’s currently the manager and business partner of Julian Lennon, guiding him through a record deal with BMG for his first commercial album in twenty years while amplifying his work as a photographer, filmmaker, author, and entrepreneur.

In 2012, she founded the Chicane Group, an artist management and consulting firm where she served as CEO. She was also the Global Head of Strategic Partnerships at Looped, helping build the tech company into a preferred virtual venue platform. She operates at the intersection of music and technology, always looking ahead to where the industry is going rather than where it’s been.

What makes Rebecca different is how she moves. She makes decisions fast, stays calm when everyone else is spiraling, reads the room, and trusts her gut. It’s a skill set that comes from experience, from knowing you’re making the right call in the moment when everyone’s depending on you to do exactly that.

She’s navigated bias by putting herself in the right rooms with the right teams, by staying confident in her strengths, and by refusing to let it drag her down. In our chat, Rebecca offers a peek into the strategies and insights that have made her a force in the industry.

Her Agenda: So how did you end up going into this field or getting this job?

Rebecca Warfield: So I grew up in a little log cabin in the middle of the woods in Montana, and even as a little girl, I always knew that I was going to be working in entertainment in some way. I [always knew] that. So I think it was really about finding the path to how to make that happen and how to move to Los Angeles. I just always knew that that’s what I was going to do. So I went to college at Montana State University. I studied film and TV there, and that kind of opened a door for me to start working on award shows when I was still in college. I started with Dick Clark Productions on the Academy of Country Music Awards, and I broke in that way. I didn’t know anyone at all. That story is kind of an interesting story of how that came together, but I wound up working on many, many award shows as a freelance talent coordinator and then talent producer, and then during the writer’s strike one year, all the shows were getting canceled, and someone said to me, ‘You should really be in artist management.’ And so I wound up pursuing that, and making the shift into management, which I’ve been doing for about 13 years now. So it’s kind of just been one thing leading to the next. 

Her Agenda: Who or what is your biggest influence in your journey as a manager?

Rebecca Warfield: I think my biggest influence has been the person who really taught me how management was to be carried out, or what the relationship with your clients should look like, and how to operate with integrity on a day to day basis, and do the best thing for your clients, and the strategy around that. The first person that I worked for when I was in management, when I made that shift, was Larry Rudolph, who is very well known for discovering Britney Spears. I wound up working on that team back in the Circus era, which was 2009 to 2012. He really mentored me and taught me artist management on the highest level. So I think that would be probably the most influential person. 

Her Agenda: How does working with female and male clients differ?

Rebecca Warfield: It’s so different. It is so, so different. I have always found myself working more so with male clients, and male artists, I think that there is a real complimenting relationship there with sort of the feminine and masculine energy, and creativity, and carrying out the business around executing marketing campaigns and creative projects, and I think with the male-female balance, you can really lean on each other’s natural strengths and abilities to achieve different levels of success. With female clients, there’s just a lot of different things that they have to think about where, even just coming down to glam, and timing, and scheduling, and motherhood, and there’s all of these other things that come into play with female clients versus male clients. So it is very, very different, I would say. 

Her Agenda: What’s a skill you need in your job people wouldn’t expect is necessary?

Rebecca Warfield: I think everyone expects that managers should have some level of psychological skill set in well-being and being able to use a higher level of intuition and making decisions very quickly. That would be my best answer is making decisions very quickly, very confidently, and that comes from experience, that comes from knowing that you are making the right decision in that given moment for your client, and everyone is depending on you to make the right decision.

Her Agenda: How do you deal with bias against women?

Rebecca Warfield: You deal with it on a daily basis, you deal with it every time you start with a client, you deal with it with different relationships on the team. I think, first off, the best way to deal with it is putting yourself into the right rooms and the right teams to work with. Be confident in your own strengths and your own abilities and don’t let that drag you down. 

Her Agenda: How do you handle things under crisis?

Rebecca Warfield: Don’t react. Be very non reactive, and always be calm. Think about things before you respond. And if you have to respond really quickly, make sure that you have insights from the whole team before you make the decision. 

Her Agenda: What’s one aspect of the music industry that you really want to change, and one that you hope never does?

Rebecca Warfield: One aspect of the music industry that I would like to see change would be [that] I would love a simpler process in licensing music and artists’ music being discovered to license for films, TV, movies…it would be great to be able to do that in a simpler manner, than it’s done today. I think it’s a very cumbersome process, and it takes a lot of back and forth with different team members to license music. So I’d love to see that simplified. One thing I hope doesn’t change, obviously, we’re dealing with such a revolution right now, with AI and AI music production and AI artists. There’s no stopping that, but I hope that the connection with humans and that ability to connect and be relatable, I hope that doesn’t lose value. I hope the human creation will keep its value. 

Her Agenda: Can you give advice to girls looking into this industry?

Rebecca Warfield: Yes, I would say really spend some time getting to know yourself and what your true, unique skill sets and natural gifts are, and lean into those and don’t look around at what everyone else is doing. Pave your own way, pave your own path, and diversify your strengths into different areas that you really are passionate about and that will lead to your success in your career. 

Her Agenda: What are your future goals? 

Rebecca Warfield: My future goals would be to continue doing what I’m doing, always finding projects and clients that inspire me and that motivate me. I am excited to expand my team and expand the level of knowledge of my team and just diversify there as well.

[Editor’s note: This interview has been edited for length and clarity.]

This article A Peek Inside Her Agenda: Rebecca Warfield was originally published on HerAgenda.com

At first glance, Amazon Prime’s “Relationship Goals” starring Kelly Rowland and Clifford “Method Man” Smith, seems like a romance film based on the storyline of a determined career woman whose old ex reappears at the height of her career. But if you dig deeper past that, director Linda Mendoza tells a bigger story of women defining success on their own terms while navigating career milestones, personal growth, and life timing.

Kelly Rowland plays Leah Caldwell, who is about to make history as the first woman to run a top morning show, but management feels she doesn’t have the “team player” characteristics to lead. So they bring in another candidate (who is her ex), and now she has to compete for a spot she’s worked so hard to get to. A 2025 Women in the Workplace study shares that “only half of companies are prioritizing women’s career advancement.” It speaks to the quiet reminder of double standards for women who have the qualifications but still have to prove themselves. So Leah’s choice to focus on professional accomplishments challenges society’s norms that personal life should come before pursuing career success. 

How Can Professional Women Relate To ‘Relationship Goals’

According to a Pew Research Center report, “39% of women say their job or career is extremely or very important to their overall identity.” In “Relationship Goals,” Leah has both personal and professional standards for herself. And she refuses to rush, just to meet external expectations.

During a powerful scene in the movie, Leah delays visiting her mother’s gravesite because she is focused on her promotion. That emotional avoidance is telling. It’s clear she’s trying to find that balance, which is a major part of the broader story of women reevaluating what success should look like and when it should happen.

Producer DeVon Franklin said during the advanced screening that oftentimes in movies “you see characters where it’s like that wasn’t real.” Which makes Leah’s journey very honest and relatable to many women.

The film shows that the decisions women make about career timing and milestones are being shaped by influences like personal growth, emotional readiness, and society’s expectations. “Relationship Goals” provides reflection for women to trust themselves and the process as they build successful careers, redefine timelines, and society’s expectations on their own terms.

This article What Kelly Rowland’s Role In ‘Relationship Goals’ Says About Career Timing was originally published on HerAgenda.com

The 68th Annual GRAMMY Awards was an event to remember, as the live show highlighted some of the best in music. Hosted by comedian and television host Trevor Noah, this year’s GRAMMY Awards saw record-breaking wins and historic moments that captured the diversity of musical genres and sounds. This year’s awards also displayed a sign of the times, keeping its pulse on the current political climate that the music industry chose not to ignore during the live event.

Here are some of the top GRAMMY Award wins, Anti-ICE messages, and highlights from music’s biggest awards night this year.

Kendrick Lamar Becomes The Most Awarded Rapper In GRAMMYs History

Kendrick Lamar had a banner year in 2025, kicking it off by taking home five Grammys, including Record of the Year for “Not Like Us”. Fast forward through the year, where the rapper headlined the Super Bowl halftime show, his first stadium tour with singer SZA, and celebrated “luther” ending as the No. 2 top song of 2025 on the Billboard music charts.

This year at the 68^th GRAMMY Awards, Kendrick Lamar capped off his winning season in historical fashion. Nabbing five Grammys, including Record of the Year for a second year in a row for “luther”, Kendrick Lamar became the most awarded rapper in Grammy’s history with 27 Grammy awards, surpassing Jay-Z.

Bad Bunny Secures The Award For Album Of The Year

The Grammy for Album of the Year is the crown jewel of the award’s event, and this year, the Spanish-language album Debí Tirar Más Fotos shone, as Puerto-Rican artist Bad Bunny took home the coveted award for his popular sixth studio album.  

Just days before headlining the Super Bowl halftime show, Bad Bunny won the award and made history as the first Spanish-language album to win Album of the Year. As a champion for his homeland of Puerto Rico, Bad Bunny toured exclusively in the country last year, adding over $200 million to Puerto Rico’s economy through his residency. He dedicated his acceptance speech for Album of the Year, given entirely in Spanish, to immigrants, a theme that resonated throughout the annual awards show this year.  

Artists Speak Out Against ICE And Mass Deportations In The U.S.

There was no shortage of public displays of protest regarding the current state of immigration crackdowns across the country at the 68^th GRAMMY Awards. Many artists displayed their disapproval of ICE in subtle but evident ways, including ‘ICE OUT’ pins worn by Billie Eilish, Justin Bieber, Hailey Bieber, artist and songwriter Lachi, and other attendees to express their disapproval of the current administration’s call to forcefully detain immigrants across the country.

On the live show stage, notable anti-ICE speeches from artists Bad Bunny, Kehlani, Billie Ellish and Olivia Dean were given regarding the state of mass deportations and the immigration crackdown in America while accepting their awards. Host Trevor Noah comically also made light of the current state of politics in America, bringing levity but also awareness as the live show continued.

8-Year-Old Aura V Becomes The Youngest GRAMMY Winner To-Date

Winning the Grammy for Best Children’s Music Album, Aura V became the youngest Grammy award winner ever at eight years old for her album Harmony at the 68^th Annual GRAMMY Awards. The young Maryland native takes home the GRAMMY award with her father, Harold Simmons II, who collaborated with her to make the album. Her individual musical credit cements her in GRAMMY history, only edging out Blue Ivy, who held the title at nine years old, a win passed down for Black Girl Magic.

R&B Artist Durand Bernarr’s First GRAMMY Award Acceptance Goes Viral

Durand Bernarr is not new to the music industry as a decades-long singer, songwriter, and background vocalist, but as of the 68th Annual GRAMMY Awards, he is now solidified as a new GRAMMY Award-winning artist, winning for Best Progressive R&B Album for his fourth studio album BLOOM.

His win was no short of a beautiful surprise to him, and it showed, as his mad dash to the stage to accept his first Grammy win went viral, followed by his joyful acceptance speech. Accompanied by his mother and father, who later joined him on stage during his speech, the R&B artist vividly displayed his excitement and gratitude, all while encouraging other independent artists in the music industry. 

Lauryn Hill Leads A Historic Tribute For The Late De’Angelo, Roberta Flack, And Angie Stone

A star-studded and touching tribute became a main event at this year’s GRAMMY Awards for legendary R&B and Soul artists who passed away last year. Honoring artists De’Angelo, Roberta Flack, and Angie Stone, a full tribute was given by various multi-hyphenate music artists and led by R&B and Soul legend Lauryn Hill, her first GRAMMY performance in 27 years.

The medley included renditions of popular songs sung and played by some of R&B, Soul, and Neo-Soul music’s most incomparable artists, including Bilal, Raphael Saddiq, Chaka Khan, and Lalah Hathaway, among others. The tribute concluded with the reunion of Lauryn Hill and Wyclef John of The Fugees, where they performed their popular version of Roberta Flack’s, “Killing Me Softly” to end the historic set.

This article Top Wins And Anti-ICE Messages At The 68th Annual GRAMMY Awards was originally published on HerAgenda.com

Michele Ghee’s tech and content agency, Expectant Media, has now been acquired by PlayersTV, making her president, effective immediately. Having been on the PlayersTV board for two years, Michele has been making major moves in the industry.

With over three decades in the entertainment industry, Michele’s expertise in marketing strategies is believed to push the culture forward in a progressive direction.

Hard Work Beats Talent If Talent Doesn’t Work Hard

According to Her Agenda, Michele got the prime chance to hone in on her dreams of breaking into the industry via a program launched by the National Association for Multi-ethnicity in Communications (NAMIC) that offered support, mentorship, and placement. From there, she thrived in roles where she could tap into intrapreneurship, even before going into business for herself.

 It all came full circle, allowing her to bridge that early hustle and grit with her corporate experience— working for or with powerhouses including CNN, The History Channel, Ebony and Jet, and BET—into succeeding in her current role as CEO of Expectant Media, a boutique Ad Tech and content agency.  

The Time For Elevation Is Now

According to Deadline, Deron Guidrey, co-CEO and co-founder of PlayersTV, said: “Michele has been a trusted member of our board for the past two years. We saw immense value in Michele and what she’s built across media, content, and activation to support our growing flywheel. She is a proven leader in advancing equity across content and distribution, and we look forward to the high-caliber impact she will have on our organization and with our growing stable of premium partners.”

Furthermore, Michele’s tenacity catapulted opportunities to launch entrepreneurial endeavors, such as BETHer on BET, revive brands such as Ebony and Jet, and advance multicultural efforts for CNN and The Grio.

Black Excellence Still Reigns Supreme

Her Agenda says her commitment to service and leadership flows into her work at Expectant Media, a firm that she co-founded with two other amazing power women. The company leverages proprietary technology and authentic storytelling to amplify Black-owned media, producers, and the communities they serve around the world. It has established partnerships with initiatives and programs launched by Black women, including the Super Bowl Soulful Celebration, the Boss Network, and HBCU Honors, to name a few. 

Despite being a successful businesswoman, Michele is also a loving mother and wife. She is leading by example, showing that you, in fact, can have it all: family and a thriving career all at once.

Ultimately, Michele’s belief in what PlayersTV has to offer, which she says is “fundamentally different,” is tailored for athletes and their fans. Her keen sense of “know-how” and will to do good business is why she’s acquired such success thus far. The content is authentic, athlete spotlighted, and relatable. 

What To Expect Going Forward

With Michele appointed as president and her extensive background and knowledge, PlayersTV has enlisted a veteran. The content will speak for itself. Highlighting athletes, allowing them to have a voice, capturing real moments in real time, all while allowing the fans to be a part of the experience. It is clear through her work that Michele loves her job and is passionate about relaying content that has meaning behind it.

Stay tuned for innovative, creative, and expert-level content. Michele is said to reinvent and refocus her commitment to the job she loves. She even advocates for the clients she serves. Who can argue with that? Check out PlayersTV and possibly become a shareholder alongside Chris Paul, Dwayne Wade, and over 70+ pro athletes.

This article Expectant Media’s Founder Michele Ghee Is Now Appointed As President After Being Bought By PlayersTV was originally published on HerAgenda.com

A new year is here, which means new TV shows. From murder mysteries to dramas, these highly anticipated series will have you glued to your TV screens in 2026. Not only are we seeing the emergence of new shows such as “The Beauty” and “American Love Story,” but also the return of fan favorites, including “Paradise” and “The Pitt.” 2026 is a big year for TV, as many shows have been on their way out in 2025, pushing the need for new creative series to make their way to the forefront. Need a guide to navigate the early 2026 season? Don’t worry, we’ve got you. Here’s our list of new series that you need to tap into this year.

His & Hers

Jan. 8, Netflix

“His & Hers” is the new limited series on Netflix that everyone can’t stop talking about. The psychological thriller premiered on Jan. 8 and stars Tessa Thompson and Jon Bernthal, and is based on the novel by the same name by Alice Feeney. The series focuses on former news anchor Anna, who returns to her hometown in Georgia investigate a murder in which her estranged husband is the lead investigator. The show is full of twists and turns that you won’t see coming and will keep you on the edge of your seat.

Wonder Man

Jan. 27, Disney+

The upcoming miniseries created by Destin Daniel Cretton and Andrew Guest follows two struggling actors, Simon Williams/Wonder Man and Trevor Slattery, hoping to land roles in the remake of the superhero film “Wonder Man.” The series takes a turn when Simon unintentionally gains real superpowers of his own. Actor Yahya Abdul-Mateen II stars as Simon Williams, while Ben Kingsley portrays Slattery. “Wonder Man” is the 17th TV series in the Marvel Cinematic Universe.

The Beauty

Jan. 21, FX

One of the latest installments in the Ryan Murphy Cinematic Universe, “The Beauty” is an American sci-fi body horror. In this series, beauty turns dark as partners Cooper Madsen (Evan Peters) and Jordan Bennett (Rebecca Hall) investigate models dying in horrific ways. As they dive deeper into the case, they discover a sexually transmitted virus that turns normal people into the picture of beauty, but with deadly consequences. Other notable stars from the show include Ashton Kutcher, Anthony Ramos, Bella Hadid, and Jeremy Pope. The show, which is based on a comic book series by Jeremy Haun and Jason A. Hurley, is set to premiere on Jan. 21 on FX and the next day on Hulu.

Imperfect Women

March 18, Apple TV

“Imperfect Women” is an upcoming thriller based on the Araminta Hall novel of the same name by Annie Weisman, set to premiere on Apple TV. The eight-episode thriller features an all-star cast including Elisabeth Moss, Kerry Washington, Leslie Odom Jr., and Sheryl Lee Ralph, among others. The show examines a devastating crime that threatens to destroy a decades-long friendship. The first two episodes will premiere on March 18, with the rest debuting on a weekly basis.

Vanished

Feb. 11, MGM+

“Vanished” follows Alice (Kaley Cuoco) and her boyfriend Tom (Sam Claflin) as they head off on a getaway to Paris when Tom suddenly vanishes aboard a train to the South of France. Alice must put together the pieces of what happened that day and peel back the layers of her boyfriend’s true nature. The four-part mystery thriller will debut on Feb. 11 on MGM+.

The Burbs

Feb. 8, Peacock

Keke Palmer is back, this time starring in the upcoming Black comedy series “The Burbs.” The new Peacock original is a remake of the 1989 movie with the same name. The series follows Samira (Keke Palmer) and her husband Rob (Jack Whitehall as newlyweds who relocate to the suburban neighborhood that her husband grew up in. Immediately after the couple moves into the neighborhood, they notice strange occurrences, and with the help of some of the nosy neighbors, they snoop to uncover the truth.

Love Story

Feb. FX

Another anthology installment from Ryan Murphy, “Love Story” Chronicles the brief and tragic relationship of John F. Kennedy Jr. and Carolyn Bessette Kennedy. The series will focus on the couple’s up-and-down romance, the media frenzy surrounding them, and the 1999 plane crash that claimed their lives. Paul Kelly and Sarah Pidgeon will play JKF Jr. and Carolyn, respectively.

56 Days

Feb. 11., Prime Video

Described as an American erotic thriller, “56 Days” is based on Catherine Ryan Howard’s novel of the same name. The eight-episode series follows Oliver Kennedy (Avan Jogia) and Ciara Wyse (Dove Cameron) after the two meet in a supermarket and begin an intense relationship, which seems to end in murder after an unidentified body is found. The story takes place between two timelines: 56 days before the murder and 56 days after.

This article 8 Highly Anticipated Series Premiering In Early 2026 was originally published on HerAgenda.com

The perfect smile seems to be everywhere, from films and influencer reels to friends’ Instagram posts. Veneers are a rising trend in cosmetic dentistry. However, seeing them everywhere doesn’t mean you need to get it too. There’s pressure to keep up with the changing trends. If we always chase the next big thing and pursue relentless life optimization, it can lead to burnout. But what exactly is this trend, and why does everyone seem to be chasing it? 

First Things First—What Are Dental Veneers?

Veneers are thin, custom-made shells that are applied on top of your teeth’s surface. These porcelain or composite resin shells camouflage chips, cracks, discoloration, and other issues to improve the teeth’s appearance. They alter the initial color, shape, size, and length of teeth.

Composite resin requires removing enamel from teeth for mild issues. Porcelain veneers, on the other hand, are more stain-resistant and natural-looking, and thus more expensive. Other types are non-prep veneers, which don’t require enamel shaving, and removable veneers that pop and lock onto your teeth, much like retainers. 

Are You A Good Candidate For Veneers?

Remember that veneers are cosmetic procedures. They don’t fix dental issues. As such, you need to have a healthy foundation for your teeth. Make sure you visit your dentist every six months so they can examine the health of your teeth and gums. If you have dental problems and are looking to get veneers, they won’t solve anything because they are a Band-Aid solution. 

Some of the factors that might disqualify you from veneers include cavities and decay, gum disease, insufficient enamel, and teeth grinding. The telltale signs of cavities include discoloration, toothache, bad breath, sensitivity to hot and cold food, and pain when chewing. In these situations, it’s best to treat the underlying problems first.

The Upside: Why The Hype Is Real (For Some)

Veneers are great for people with appearance-related dental issues such as discoloration, chipped teeth, and minor gaps with no other foundational teeth problems. They can improve appearance by creating a stain-resistant layer, so they’re nice for busy professionals who love drinking beverages such as coffee, tea, and red wine. These factors all contribute to a more confident and winning smile. 

Another upside is that veneers last a long time. They can last for upward of 10 years when properly cared for. 

The Downsides: What Influencers Don’t Always Mention

Veneers boost confidence and look great, but they are not for everyone. The most important thing to keep in mind is that they remove enamel, which protects the sensitive inner parts of teeth, such as the dentin and pulp. Enamel helps prevent cavities, and there’s no going back once you remove it.

Veneers require lifelong maintenance. They eventually chip, break, or need replacements because teeth are used all the time for eating. Ask yourself whether the procedure fits financial goals, as replacement requires additional and continuous expenses. Moreover, since veneer installation is a cosmetic procedure, it is typically not covered by insurance.

Curating Your Smile, Your Way

Veneers can be an incredible way to boost your confidence. However, it’s essential to distinguish between your actual needs and chasing the latest beauty trends. The first step in the process is to establish a solid foundation for your dental health. Once all problems are fixed, research thoroughly on both the beneficial and harmful side effects of veneers. With the knowledge you acquire, decide whether you’re a good candidate for them based on your own needs. 

Instead of looking at veneers as another thing to attain, discover and reflect on your own needs, and ask whether they’re worth your time and effort. After all, veneers aren’t a one-time purchase. They require long-term financial and physical commitment. By being aware of everything that comes with getting them, you can adopt a healthier approach to your decision-making. This self-reflection can help you make an informed and empowered decision, one that will lead to a healthier and better you.

This article Are Veneers Worth The Hype? Everything To Know About Today’s Smile Movement was originally published on HerAgenda.com

When Margaret Cho started doing comedy in the 1980s, there were no Asian American performers to look up to, no queer women on stage, no blueprint for the path she was carving, so she created her own. Now, decades into a career that’s earned her five Grammy and Emmy nominations, she’s still building opportunities where none exist and speaking to experiences of being “othered” that she lives daily. She continues to refuse to soften her voice for anyone’s comfort.

You’ve likely seen her  on HULU’s “Fire Island” or HBO Max’s “The Flight Attendant” and “Hacks,” or caught one of her Netflix comedy specials where she dissects sexism, racism, and homophobia with the precision of someone who navigates all three constantly. Her film “All That We Love” drew acclaim at the Tribeca Film Festival, and Vogue has placed her among the top female comedians alongside Joan Rivers. It’s a recognition that feels both overdue and exactly right.

Margaret’s wearing even more hats lately: she’s got roles coming in Disney’s “Percy Jackson and the Olympians” and the thriller “I Want Your S*x,” and through her production company, Animal Family Productions, she’s developing new stories to tell. Right now, though, she’s on the road with “Choligarchy,” a show that tackles the current political moment head-on because, as she puts it, talking about what you know as an artist isn’t optional.

In this interview, Margaret opens up about building a career from scratch when the industry offered her nothing, why she avoids reading criticism to protect herself from her own harsh internal critic, and her advice for young women entering entertainment: try everything, but know that success belongs to those who can keep going without immediate reward. Her advice to those who dare to enter the comedy space: dedication outlasts talent every time.

Her Agenda: As a pioneering Asian-American comedian, what are the challenges you faced breaking into this industry?

Margaret Cho: Well, mostly it’s just invisibility, because when I started, there were no Asian American performers, no other Asian American women, there were no queer women. There were really no people that I could look to for community, so it was just about being alone, and then later, when I became more involved in it, there were just no projects to get into. There were no roles I could audition for. There was nothing in the 1980s and ’90s, there was just nothing there that I could get involved in. I would have to create everything on my own. And so it was just mostly the lack of opportunities, but because of that, I created my own because I was just doing comedy, and that was fulfilling for me.

Her Agenda: How has your Asian-American heritage influenced your comedic style?

Margaret Cho: I think that my heritage helped me to just talk about being other-ed, like the way that my comedy is mostly talking about coming from the outside going in. So to be the being of other, the performing of other, the experience of other, was sort of created itself into a style of performance. And so that’s how it benefited me. Of course, I don’t know how else I would have gone about it just because I don’t have any experience being white. I don’t have any experience being a man. I don’t have any experience being straight. I don’t have any experience of these things that are kind of universally accepted as being kind of normal. And so I’ve always identified as other. 

Her Agenda: How do you handle criticism and trolling?

Margaret Cho: I don’t handle it very well. I kind of just avoid it if I can, because I have such a critical mindset. I have such a very developed and loud internal critic, so I don’t want to give that any more energy than I need, because I already have a self-silencing mechanism, which is really destructive, and so the more I can avoid any kind of negativity, the better. So I generally don’t look at criticism, I don’t look at trolling, I try to avoid it. You know, there’s not a lot you can do about stuff that just comes in, and you just have to deal with it, but in general, I find avoidance is key. 

Her Agenda: How do you manage to balance the different careers that you have and your personal life too?

Margaret Cho: Well, a lot of my career is my personal life. A lot of my career [is] very social being in comedy clubs and doing tours and being around comedy, doing podcasts, it’s very social. So, a lot of it sort of blends into my social life. Also, I make music, it’s all with friends, so that sort of counts as my social life, and then getting to be an actor in projects a lot of the time, I’m working for people who I’m close friends with. So I’m lucky enough to be able to balance out my work life with my social life. I think that happens a lot in art. You end up working with people that you’re friendly with, and that’s because I think art is so all-consuming that if we didn’t have the ability to kind of collaborate, we wouldn’t necessarily have a social life. 

Her Agenda: How has your perspective on comedy and what you like to comment on changed over the years?

Margaret Cho: I don’t think it’s changed a lot. I think that I’m always really focused on talking about the experience of others and being othered. I think that what continually finds itself in my comedy is talking about sexism, talking about racism, talking about homophobia. All those things together, and they’re amplified now with the current administration and what’s going on. 

Her Agenda: You’re vocal about social issues that matter to you; why is it important to use your platform for advocacy?

Margaret Cho: I think it’s important just because I’ve always done that. It’s because it’s my preference. It’s because I experience racism and sexism, and homophobia daily. It’s because I see it happening to others constantly. And so for me, it’s meaningful, I think it’s important to talk about it. I think it’s a valid felt experience. It’s what I know. And as an artist, it’s important to talk about what you know.

Her Agenda: Are there projects in the new year you’d like to tell us more about?

Margaret Cho: I’m just touring. I’m on the road right now with my show Choligarchy, which I’m proud of. It is talking a lot about the current administration and what we can do about it, and how I feel about it. And so I think that’s really valid and important. There’s a lot to say. So I’m doing that, and that’s going to take up most of my year. 

Her Agenda: What is some advice you can give girls looking to go into entertainment?

Margaret Cho: Comedy, it’s all about going and doing what you want. There’s so many ways to break into this particular profession. Of course, now there’s social media, which is really important too. So just get out there and do it. What it feels like to do it isn’t always the perception of what we think it’s going to be like. So, really try everything, see if you like it, see if you want to devote yourself to it, because the thing about it is it’s all-consuming. If you want to do this, you have to do it for a long time, and you have to do it really in a very dedicated way to find success. You will find it. Everybody becomes successful as long as they stick with it, you know? That’s what I’ve noticed about people. I’ve noticed people who are really talented and who are really, really skilled, but they don’t have the dedication because it takes a long time to really build that, and the people who have dedication are the ones who succeed in the end. So I want people to try it and see if they like it, and if it’s something that you can continue to do without apparent reward for a long time, then you’ll be rewarded in the long run.

[Editor’s note: This interview has been edited for length and clarity.]

This article A Peek Inside Her Agenda: Margaret Cho was originally published on HerAgenda.com

OWN Network has a fun new series bound to keep you engaged while you learn something at the same time. MAXXED OUT is about your pockets. This show on OWN is all about elevating your finances with the help of host and financial coach/expert Leah Collins. With a background in accounting and auditing, Leah will be sure to not only pinpoint where people go wrong in their finances but also follow up with them to track if they take her advice, as she has over a decade of experience.

MAXXED OUT is described as “financial intervention” as Leah has a no-holds-barred attitude with a side of tough love. The eight-episode series reveals how mismanaging money can affect relationships and impact every aspect of your life. Don’t forget to tune into the OWN Network Saturday, January 10, 2026, at 9/8c to catch Leah Collins in action.

Her Agenda: What inspired you to become a financial expert?

Leah Collins: Well, my journey began in 2017 when I had a major wake-up call. I had earned more money that year than I had ever earned in my career. And when I sat down to do my taxes, I realized I had nothing to show for it. Ultimately, I was working hard, but my money wasn’t working for me. So I decided to take control. I took a course, and within 18 months, I had paid off $40,000 worth of debt. I’d purchased investment property in DC and increased my credit score to over 800.

Her Agenda: Do you think financial literacy should be taught in school?

Leah Collins: Yes, I absolutely think that financial literacy should be taught in school. It’s really necessary because we’re expected to master a system that we were never taught. We don’t learn about this in school, and we spend years learning geometry and history, but we graduate without knowing how to read a credit report, how to calculate a net worth, or how to protect our futures with estate planning. We’re basically sent into the world with credit card debt and zero instructions.

Her Agenda: What culture do you encounter the most with outstanding financial troubles? And why do you think it’s so prevalent?

Leah Collins: All of them, actually. Everyone is struggling. I think we’re just a nation that is really overleveraged and underconnected. This nation itself is in debt for trillions of dollars, so that’s one of the reasons that this show really matters because it proves that financial health is the foundation of mental and relational health.

Her Agenda: How did the concept of the show MAXXED OUT come about?

Leah Collins: My lightbulb moment came with calling off my own engagement. I realized that I was the financial expert, but there aren’t that many tools out there to tell us or show us how to communicate about money. So I looked at the television landscape and saw a void. They weren’t willing to get to the nitty-gritty of the numbers. So in this show, we’re talking about credit scores, we’re actually pulling up credit reports, looking at the credit scores, we’re talking about net worth, debt to income ratios, we’re really addressing the nominator, nominee dynamic to heal the relationships where money’s tearing those relationships apart. And something else I haven’t seen from other shows is that we’re really focusing on generational wealth through estate planning.

Her Agenda: Do you have three practical tips readers can use today to improve their finances?

Leah Collins: Absolutely, something everyone can do right now is check your credit report. You can check this for free at annualcreditreport.com. Also, I do a savings challenge with my followers and clients at the beginning of the year. I figure out what their saving goals are, and I break it down to how much they need to save per month per paycheck. Also, I encourage people at the beginning of a new year to create those money goals and create short-term and long-term goals.

Her Agenda: What’s one takeaway you would like viewers to get from the show?

Leah Collins: If there’s one thing that I want people to take away from the show is that your current bank statement is just a chapter, it’s not the whole book.

Her Agenda: Do you have a motto or quote that you live by?

Leah Collins: I’m very passionate about building generational wealth. It’s very important, and Black people especially cannot afford to keep starting over with every single generation. Keep in mind, not just build the wealth, but learn how to protect it as well.

Tune into MAXXED OUT starring host Leah Collins this Saturday on OWN Network at 9/8c.

This article Leah Collins Talks MAXXED OUT, Her New Show On OWN Network Airing Saturday, January 10th 9/8c was originally published on HerAgenda.com

As we move toward 2026, Black women artists and filmmakers are shaping culture. Across film, television, and contemporary art, their work challenges inherited narratives, expands who gets to be seen as complex, interior, experimental, and powerful, and builds platforms that refuse erasure. From Oscar-winning performances to boundary-pushing visual art and quietly radical storytelling, these women are redefining authorship and authority in their fields.

Here are seven Black women artists and filmmakers whose work will continue to influence and disrupt the cultural landscape in 2026.

1. Olive Nwosu

Filmmaker Olive Nwosu, director of LADY, represents a new generation of storytellers who approach cinema as both art and social intervention. Her work centers Black life with intimacy and nuance, often focusing on characters navigating identity, memory, and power outside of spectacle. Nwosu’s films resist easy categorization, favoring emotional truth over formula, and signaling a shift toward more expansive, interior narratives. As audiences increasingly demand authenticity over trope, Nwosu’s voice feels not just timely, but necessary.

2. Regina King

Few artists have built a career as consistently excellent and evolving as Regina King. As an actor, director, and producer, King has helped redefine what longevity looks like for Black women in Hollywood. Her directorial work, marked by emotional depth, political clarity, and visual restraint, demonstrates a commitment to storytelling that honors Black interiority and collective history. As she continues to build projects behind the camera, King’s influence lies not only in what she makes, but in the doors she opens and the standards she sets. In 2026, we’ll see her take on a new role: as Ambassador for the 30th Anniversary of the American Black Film Festival.

3. Cephra Stuart

Cephra Stuart’s film (Instagram)

As a breakout filmmaker, Cephra Stuart’s San Francisco Bae operates at the intersection of portraiture, identity, and psychological presence. Stuart’s work feels particularly resonant in an era obsessed with visibility but resistant to depth. By prioritizing complexity over legibility, she pushes contemporary art toward more honest representations of Black being.

4. Da’Vine Joy Randolph

Da’Vine Joy Randolph’s career is on a roll. She’s promoting her new work in films like Eternity and Shadow Force as she heads into the new year. Her performances are rooted in emotional intelligence, precision, and humanity. Whether in drama or comedy, she brings a grounding presence. As she continues to take on varied roles, we can’t wait to see what 2026 has in store for this rising star.

5. Ayo Edebiri

Ayo Edebiri will be making her Broadway debut in 2026 alongside Don Cheadle in David Auburn’s play Proof. She has emerged as one of the most exciting creative forces working today, blending sharp humor with emotional vulnerability. As an actor, writer, and producer, she represents a generation fluent in multiple mediums and unafraid to blur boundaries. Edebiri’s work resonates because it feels lived-in, rooted in specificity, cultural fluency, and an understanding of how humor can coexist with grief, ambition, and intimacy. Her voice points toward a future where storytelling is collaborative, hybrid, and unapologetically personal.

6. Genesis Tramaine

Painter Genesis Tramaine’s work is on display at the Rudell Museum in Miami through most of 2026. Her art draws from spiritual traditions, emotional states, and expressive abstraction to create portraits that feel both sacred and confrontational. Her paintings embrace vulnerability, tension, and transcendence. Tramaine’s influence lies in her refusal to soften her vision for comfort or consumption. Her work stands as a reminder that spiritual and emotional truth resonate.

7. Nina Chanel Abney

Artwork by Nina Chanel Abney (Instagram)

Nina Chanel Abney’s work will be at the Virginia Museum of Contemporary Art through most of 2026. Her bold, graphic style has become instantly recognizable, blending pop aesthetics with sharp political commentary. Her work addresses race, gender, protest, and visibility with a visual language that feels urgent and accessible without sacrificing complexity. Abney’s ability to move between galleries, public installations, and cultural discourse makes her one of the most impactful artists working today. As debates around representation and power continue into 2026, her work offers both critique and clarity.

Together, these artists and filmmakers illustrate the breadth of Black women’s creative leadership today. They are not a trend or a moment—they are architects of a cultural future that demands complexity, accountability, and imagination. Watching their work in 2026 means witnessing not just individual success but a collective of powerful work that can shape the world.

This article Black Women Artists And Filmmakers To Watch In 2026 was originally published on HerAgenda.com

Every now and then, taking a break and unplugging from social media can be beneficial in many ways. You never know how much real life you miss due to the countless distractions that social media provides.

If you’ve been thinking of taking a break but aren’t convinced of when, why, or how to unplug for a while, here are some benefits that may entice you.

More Productivity

Social media is a distraction; it can make it difficult to get work done, which decreases productivity. And when you’re not working efficiently, it can become overwhelming, especially if there are deadlines and quotas involved. With more productivity, you’ll feel accomplished and proud of yourself. This will allow for better work and possible promotions.

Mental Clarity

When your mind is clear of the clutter and chaos that social media provides, it’s free to welcome in the good. You can read a book, garden, or be fully engaged in the moment. Have you ever gone out to a restaurant and seen an entire family on their cellphones? There are no conversations being had, no bonding, no real connections; yet everyone is connected. Clarity puts things into perspective and helps you see things as they truly are.

Better Connections/Focus

While social media is great for reconnecting with people, it’s not great for making real connections. Essentially, the digital age creates social media relationships, and you never see those people in real life. When you’re unplugged, you develop better connections with real people in real time because you’re able to focus, have conversations, and listen without distractions.

No Comparisons

The 26th U.S. President, Theodore Roosevelt, once said, “Comparison is the thief of joy,” and that couldn’t have rang truer when it comes to social media. Everyone wants what the other has and portrays a ‘perfect’ life. Comparison can also be debilitating. By unplugging, there is nothing to compare but yourself. This can form a competition for you to challenge yourself to become great, stronger, and smarter.

This article 4 Benefits Of Unplugging From Social Media In The New Year was originally published on HerAgenda.com

Entertainment and pop culture don’t just reflect society; they actively shape it. Television, film, music, and digital content influence how women perceive identity, opportunity, and achievement. 

According to Forbes, these cultural forces affect confidence, career choices, and expectations in professional settings. Media portrayals can reinforce stereotypes, but they also have the power to expand what women view as possible for their professional lives.

Here’s how entertainment and pop culture are actively influencing how women see success. 

Stereotypes And Gender Roles

Media content remains rife with gender stereotypes, often depicting women in domestic or supporting roles more than as leaders or innovators. Repeated exposure to these portrayals can subtly influence career aspirations, making certain professional paths seem less accessible. A 2024 report found that consistent media reinforcement of traditional roles can negatively impact women’s confidence in pursuing leadership careers, as per Global Academic Excellence. 

Positive Portrayals And Role Models

On the other hand, media that showcase women in leadership, STEM, and entrepreneurial roles can inspire confidence and broaden career ambitions. Studies show that exposure to counter-stereotypical media representations increases women’s self-efficacy and leadership aspirations. 

According to Geena Davis Institute, series, films, and campaigns featuring professional women challenge traditional narratives and provide relatable role models for audiences

The Role Of Entertainment In Shaping Perceptions

Television, film, music, and digital content influence how women perceive identity, opportunity, and achievement. These cultural forces affect confidence, career choices, and expectations in professional settings. 

Media portrayals can reinforce stereotypes, but they also have the power to expand what women view as possible for their professional lives, according to data from PR Newswire. 

Stereotypes And Gender Roles

Media content remains rife with gender stereotypes, often depicting women in domestic or supporting roles more than as leaders or innovators. Repeated exposure to these portrayals can subtly influence career aspirations, making certain professional paths seem less accessible. 

Continued research from PR Newswire highlights that while audiences expect media to positively impact gender equality, women are still underrepresented in leadership roles, which can affect their perceptions of professional success.

This article How Entertainment And Pop Culture Are Influencing How Women See Success was originally published on HerAgenda.com

Celebrities seem to always be on the go! A different city today, a new deal tonight. Despite their busy schedules, one thing is true: they’re still humans like everyone else. We’ve watched these ladies in the entertainment business work relentlessly while pregnant, so it’s no surprise that they got right back to it after delivering their babies.

We’ve gathered four celeb moms who had babies this year and got right back to business in no time, while looking fab doing it.

1. Rihanna

Mother of three now, after giving birth to her third, and first daughter, Rocki Irish Mayers, Rihanna returned to run her empire of a company: Fenty Beauty, Savage X Fenty, Fenty Skin, and Fenty Hair, which could not run without her. So after Rocki was born on September 13, 2025, Mama Rih got back to business, which is thriving, especially due to holiday sales.

2. Cardi B

Cardi B dropped her new album, “Am I The Drama?” on September 19, 2025, while pregnant with her fourth child, and second son. Shortly after, “Baby Brim” made his arrival on November 4, 2025, yet Cardi B hasn’t slowed down. She is still promoting her album and multitasking as a keen businesswoman and mom, juggling it all.

She also has a tour lined up, called the “Little Miss Drama Tour,” set to kick off February 11, 2026, in Palm Desert, CA (Acrisure Arena).

3. Coi Leray

First-time mom Coi Leray documented her pregnancy on social media and hinted at cheating being the demise of her and Trippie Redd’s relationship. However, Miyoco was born in June 2025. It is of Japanese origin, where “miyo” translates to “beautiful” and “ko” means “child” or “generation,” giving the name the meaning “beautiful child.” Coi has recently signed with Epic Records after leaving UMG. She has an EP out entitled: What Happened To Forever? She is also launching a beauty line and a baby hair brush line. You can also find Miyoco’s cameo in Coi’s video Act Like You Know.

4. Flo Milli

First-time mom, Flo Milli, had her son Sixx on April 25, 2025. She announced his arrival by posting a picture of him on Instagram, telling her fans to protect their “internet nephew.” Since his birth, Flo has signed with Wasserman Music for representation; she’s also released “Perfect Person” via RCA Records. Flo has also headlined Magic City Music Fest 2025 and Atlanta Pride.

This article 4 Celeb Moms That Had Babies This Year And Got Back To Business was originally published on HerAgenda.com

Bucket lists are fun to create simply because they’re a list of places, things, goals, and dreams we’d like to experience. The cool thing about this is that it can change every year. Whether you like or want to travel, do more hobbies, grow business-wise, or free up more time for adventures, you can make this list your own.

Don’t hold back when it comes to your bucket list; it’s yours. Whatever you desire should be listed and placed in order of importance. Below you’ll find encouraging tips on how to create a well-rounded bucket list that supports your lifestyle and ambitions as you enter the new year.

Be Professional Optimistic

Face your fear professionally. Make 2026 all about going for your highest goal and attaining it. Let go of your doubt, fear, and negativity and replace them with ambition, optimism, and drive. Know that you can attain anything you want with hard work and dedication. List your professional goals as number one on your bucket list, and check it off once you’ve landed that dream position.

Do Something New You’ve Always Wanted To

Trying new things is all about discovering new things you like and new sides of life. You’re essentially unboxing new ways to enjoy life by seeing what excites you, what’s not for you, and exploring new avenues. Don’t hold back in 2026, let your curious mind discover what it’s like to zipline in the tropical rainforest, ride jet skis in the Pacific Ocean, or parasail at 300 to 500 feet high in the sky.

Skate Outside Your Comfort Zone

There are no limitations on life in 2026, and there will be none on your bucket list. Your bucket list should be full of comfort-zone-free options. You can start small and work your way up to higher thrills. For example, if you’ve always wanted to skydive, but you’re not quite there yet, you can try indoor skydiving to get a feel for it, and maybe six months down the road, you’ll be ready to jump out of that plane! You’ve got this!

Impress/Inspire Yourself

Impress yourself by finishing something you’ve started. Pinpoint a goal/vision you have that isn’t complete and see it through. Sometimes big projects bring out the best in us and become our greatest work. Don’t focus on how long it’ll take to complete; focus on giving your all and making it a masterpiece.

This article How To Create The Perfect 2026 Bucket List was originally published on HerAgenda.com

The new year is only days away, which means it’s time to say goodbye to 2025. If you haven’t begun to wrap things up, now would be a great time to start finalizing all of your endeavors to end the year properly. You don’t want to bring any of 2025 into 2026; it’s time to start fresh.

However, if you have no clue what you want to do to bring in the new year, Her Agenda has gathered a list of four options that may be of interest below!

1. Go To Church

According to Church Plaza, this tradition dates back to the early 18th century. It was originally a contemplative vigil. But this event evolved into more of a joyous celebration in 1862, when African Americans stayed up all night in anticipation of Abraham Lincoln signing the Emancipation Proclamation the next day.

Bringing in the new year at church is an option if you’re religious and believe in a higher power. Many churches have a night service or “watch night” where there is a sermon, musician selection/celebration, prayer, and a countdown to midnight. This is a great safe option for those who want to celebrate their faith. This is also something sacred to do as a family, especially if you have children.

2. Attend/Host A Party

Who doesn’t like a good party? Whether it’s a company party, a friend, or one you host yourself, celebrating the beginning of the new year can be exciting and special with people you love. You get to dress up nicely, dance, enjoy the food (if it’s available), and pop champagne. Let’s not forget the fun New Year’s Eve trinkets, such as New Year’s hats, glasses, and fun glow lights.

If you’re choosing to attend a party, one tip Evanston Roundtable suggests is, don’t be the guest who never leaves. Read the room! Is your host yawning? Are you the last one left with a drink in your hand as they wash the dishes? Have they turned out the lights and headed to bed? It’s (past) time to go.

3. See Fireworks Or Ball Drops

Hopefully, your city isn’t too cold out to experience the fireworks downtown. But if it is, bundle up and join your fellow locals for an exciting night of lights in the sky. This is a family fun activity that’s also free. You can’t beat that!

According to Chorlton Fireworks, arriving early at the event has several benefits. Firstly, it allows you to secure a good viewing spot. Firework displays attract large crowds, and prime viewing spots can fill up quickly. Secondly, arriving early can help you familiarize yourself with the venue, locate amenities, and settle in before the event starts.

4. Stay Home/Sleep Through It

If you’re a millennial or older, this is the best-sounding option. All of the festivities of the holidays can truly be a wipeout of energy. Staying home affords you the comfort of pajamas, a warm, cozy night on the couch, a toast at midnight, and bed shortly after. Or, you may opt to go to bed before midnight and sleep through the gunshots, fireworks, and parties being thrown in your neighborhood.

This article 4 Special Ways To Bring In the New Year was originally published on HerAgenda.com

In recent years, talented female screenwriters have dynamically shifted the literary landscape by adapting more women’s novels into films. This exciting trend challenges the status quo of a predominantly male-dominated screenwriting industry, yet women screenwriters still account for just a small percentage of screenplay credits.

Despite these odds, women in film are reshaping storytelling with profound narratives that resonate with audiences and critics. By transforming beloved novels into cinematic experiences, they are not only honoring the original works but also bringing fresh, nuanced perspectives to the screen, illuminating diverse female experiences and emotions. Some, like Collen Hoover, are even stepping forward to adapt their work for the screen themselves.

“Bridget Jones: Mad About The Boy”

“Bridget Jones: Mad About the Boy” is the third novel in the popular Bridget Jones series by Helen Fielding, while it is the fourth movie adaptation from the series. Since Helen wrote the movie’s screenplay and produced the film, critics consider the movie a faithful adaptation of the book.

“Bridget Jones: Mad About the Boy” captures the next chapter in Bridget’s life, focusing on her journey as a single mother navigating the modern dating world after the loss of her beloved Mark Darcy. The story intertwines her famous humor with emotional depth, exploring themes of love, loss, and self-discovery.

The novel delves into Bridget’s inner thoughts and diary entries, providing readers with a rich, introspective look at her struggles and growth. While maintaining the essence of the book, the movie adaptation modifies certain elements for cinematic appeal; for example, it changes Bridget’s job from a writing role in the TV world to a producing role, which is easier to portray visually. The screen adaptation often streamlines some plot points for pacing, focusing on visual storytelling rather than introspection. As a result, some of Bridget’s internal monologues and detailed narrative may be less emphasized in the film.

2. “Hamnet”

“Hamnet” is a 2020 novel by Maggie O’Farrell that tells the story of how the death of Shakespeare’s only son, Hamnet, affected his marriage and fueled his career as a playwright. The movie adaptation is written and directed by Academy Award winner Chloe Zhao, with Maggie herself as one of the screenwriters.

Both versions rely heavily on the themes of love, grief, and family, as well as life transcending death through art; however, Maggie’s original novel has a non-linear structure, beginning with Hamnet and Judith already existing, while the movie has a normal timeline, starting with the love story between the Shakespeares. The movie also heavily expands William Shakespeare to a main character, while the novel revolves around Agnes much more than him.

3. “Regretting You”

“Regretting You” is a romantic drama novel by Colleen Hoover that explores the relationship between the two main characters, Morgan, and her teenage daughter, Clara, after dealing with a death in the family. The movie adaptation is written by Susan McMartin.

The core premise of both the novel and the movie is the same. After a car crash kills her husband and her sister, Morgan Grant realizes they were having a long-term affair, and her nephew was actually a product of it. The themes of both adaptations rely on grief, secrecy, and second chances. However, the novel has a darker tone, focusing more on financial issues and the weight of teenage pregnancy, while the movie emphasizes both Clara’s and Morgan’s love stories.

4. “Die My Love”

“Die My Love” is an Argentinian novel by Ariana Harwicz originally written in Spanish in 2012. The 2025 Hollywood movie adaptation starring Jennifer Lawrence was written and directed by Scottish filmmaker Lynne Ramsay.

Due to the complete Hollywood rewrite, there are a lot of differences between the book and movie, from the setting moving from Europe to America, to giving the main character the name of Grace, and fleshing out all the secondary characters. Both stick to the storyline of a young mother being isolated in a rural home and slowly losing her sanity, with the main theme of motherhood being a domestic trap, something we saw similarly in last year’s “Nightbitch“

5. “Reminders of Him”

“Reminders of Him” is another novel by Colleen, with the movie adaptation set to release March 13, 2026, this time with her writing the screenplay herself.

The story “Reminders of Him” follows a newly released inmate who was imprisoned for vehicular manslaughter after inadvertently causing her partner’s death in an accident. She attempts to reconnect with her young daughter and his grieving family. It’s a story about motherhood, grief, and forgiveness, not only about seeking forgiveness from others, but from yourself. As the movie is still unreleased, we don’t know extensively how the screenwriters are changing it, but one update is that it will take place in Wyoming, while the original novel does not specify the location.

These adaptations recognize female voices’ growing significance in both literature and film, allowing creators to share diverse narratives and perspectives on a grand scale. Whether it’s a humorous take on modern life, a poignant exploration of historical and personal tragedy, or the raw emotional journeys, each adaptation offers a unique lens through which to view women’s lives and struggles. By acknowledging and supporting these stories and the talented women who bring them to life, the industry takes a significant step toward a more inclusive and representative cinematic landscape. 

This article Books By Women Are Dominating Movie Adaptations In 2025-2026 was originally published on HerAgenda.com

Women took the business world by storm this year! Several successful celebrity women launched new products and businesses that are thriving. Starting a new business can be a long, tedious process, but the payoff to see your vision come to fruition is priceless.

According to LegalZoom, 68.93% of women business owners were Generation X, 19.42% were baby boomers, and 10.68% were millennials. 

Additionally, women start their own businesses because they feel ready to work for themselves (57.89%), are unhappy with corporate America (37.72%), and are ready to chase their passion (29.82%).

Below you’ll find four celebrity women who had major wins for their businesses in 2025. Others have launched their business and are adding to it with new products to elevate their brand!

Beyoncé: Cécred, SirDavis

Beyoncé launched her hair care line Cécred in February of last year, adding a detangling collection this year. She also launched SirDavis (Whisky) on her birthday in 2024 and received heavy promotion on her worldwide tour this year. The Cowboy Carter Tour helped with promoting both brands, as they were able to promote in each arena. Cécred is a self-funded business, made for all hair types; available in Ulta stores. SirDavis is a partnership with Moët Hennessy honoring her great-grandfather. 

Drew Barrymore: Beautiful

Drew’s brand, Beautiful, started as a kitchenware line; however, this year she launched a pet collection, as well as bedding and home decor. It doesn’t end there! She has everything you need for bath time, appliances, furniture, tabletop, and tools and gadgets. This Beautiful collection is also available at Walmart.

Tracee Ellis Ross: Pattern Beauty

Tracee created Pattern Beauty six years ago, which was designed to serve underserved textured hair. The brand offers shampoos, conditioners, serums, and more. This year, Pattern Beauty has expanded from hair care to body care. Pattern Beauty is available for purchase at Target, Sephora, Ulta, and other local stores that carry hair products. This year also marks her first brand commercial for Pattern Beauty.

Jennifer Anniston: LolaVie

Jennifer launched LolaVie haircare four years ago, yet the momentum has yet to slow down. This thriving company has expanded to Australia as of earlier this year. There have also been numerous new products that have been debuted, such as Peptide Plumping Volume Shampoo & Conditioner, a non-aerosol Powder Perfect Dry Shampoo, and the Peptide Plumping Volume Spray. Travel kits have also been added, and there was even a national TV commercial premiered for the first time for the brand.

This article 4 Celebrity Women That Started A New Business Venture In 2025 was originally published on HerAgenda.com

Last-minute shopping doesn’t have to look like you wait until the last minute. You may even catch a great deal. Sometimes the perfect Christmas gift is right under your nose. Thanks to these four celebrity-owned products, you don’t have to look far to get your loved ones or friends something special.

Here are some products we think you may like and want to give below. Let us know how it turns out!

Fenty Beauty By Rihanna: Butta Drop Whipped Oil Body Cream with Tropical Oils + Shea Butter

One of Rihanna’s latest additions to the Fenty Body line is this amazing product. Beyond any body butter you’ve ever experienced, this whipped body oil is rich in texture, smells divine, and nurtures the skin. The key fragrances are vanilla, coconut, and pink sugar. There are other scents available, like Fenty Fresh Shimmer, Salted Caramel, and Guava Getaway.

SKIMS Kim Kardashian: HALF ZIP PULLOVER

Skims is a one-stop shop to fit your mood or personality. Whether you’re looking for comfort, sexy, cozy, or stretchy, Skims has it. The new fleece half zip pullovers are not only fashionable, but comfy. They come in four colors and range from size XXS to 4X. There are even matching separate fleece pants available to purchase.

Fabletics Kate Hudson: Activewear

Who doesn’t want to look great while working out? The outfit is the motivation, right? Fabletics offers leggings for 2 for $24, onesies, jackets, shapewear, and bras. It’s hard to choose from the available pieces because they are soft and conform to your body type! Even the puffer jackets are stylish and comfortable.

You can take a quick quiz to get a general idea of what you’re looking for in regard to style, color, and size. You’re guaranteed to find something in the collection you love.

OAM Ciara: Skincare

On a Mission is true to its name, and you can be too if you’re looking for skincare products. There are sets and bundles available for your particular skincare needs. There are no fillers, recyclable packaging, fragrance, and dye-free, cruelty-free, paraben and sulfate-free, and gentle. Try out a bundle to get started on your journey to healthy, radiant, and hydrated skin.

This article 4 Celebrity-Owned Products That Make Perfect Christmas Gifts  was originally published on HerAgenda.com

If compelling women protagonists are what pull you into a show, this week’s streaming options offer plenty of inspiration. From high-stakes dramas to character-driven comedies, these picks star women navigating complex worlds with grit, heart, and unforgettable presence. Whether you’re in the mood for action, emotional depth, or biting satire, here are the best new and newly relevant series worth adding to your queue.

1. The Abandons 

Where to watch: Netflix

Why you should watch: A fresh historical drama anchored by two fierce leads: Gillian Anderson as Constance Van Ness and Lena Headey as Fiona Nolan, set against the rugged backdrop of the Wild West, the story pits these women against both the elements and each other in a layered tale of survival, ambition, and power struggles. Their performances elevate what could be a familiar frontier narrative into something rich with emotional consequence and fiery determination.

2. Emily in Paris – Season 5

Where to watch: Netflix

Why you should watch: Back for another round of fashion-forward escapades, Emily Cooper’s latest adventures in Rome continue to blend frivolity with real-world questions about career, connection, and selfhood. Emily’s growth over the series,  from an enthusiastic outsider to a confident woman holding her own in a competitive world, makes this season especially rewarding for fans of women-led stories about ambition and reinvention.

3. Pluribus 

Where to watch: Apple TV+

Why you should watch: Actress Rhea Seehorn shines in this science fiction drama with a deeply human core. Her character, Carol Sturka, is thrust into a surreal reality shaped by an alien virus, a premise that explores identity, resilience, and what it means to retain agency in the face of chaos. Rhea’s layered performance anchors the show’s high concept with emotional truth, making it a standout choice this week.

4. The Copenhagen Test 

Where to watch: Peacock, premiering Dec. 27

Why you should watch: Thrilling and stylish, The Copenhagen Test introduces Melissa Barrera as Michelle, a skilled covert operative entangled in international intrigue. The series blends pulse-pounding action with emotional stakes, showcasing a heroine who’s as clever as she is capable. If you’re craving women-driven action with depth, this one’s worth the watch.

5. Rage

Where to watch: HBO Max

Why you should watch: This Spanish drama-comedy weaves together the stories of five women whose lives intersect as they’re pushed to their limits. Each character, from a snobbish artist to a department store manager and a forgotten actress, faces extreme situations that set off a chain reaction of revenge, resilience, and unexpected solidarity. The sharp writing and dynamic ensemble paint Rage as a bold portrait of women confronting systemic pressures and personal crossroads.

This article What To Stream This Week If You Love Strong Leading Women was originally published on HerAgenda.com

Ambition doesn’t disappear when you’re exhausted; it just gets quieter. When you’re burnt out, the last thing you might want to watch is content preaching productivity hacks or glorifying endless hustle. Instead, the best watches can offer comfort, gentle inspiration, and permission to rest while still honoring your drive. These shows and films speak directly to ambitious women who are tired and need a healthy dose of reassurance with subtle motivation. Think comfort without complacency, and encouragement without pressure.

Here are six streaming picks that meet you where you are.

1. The Bear

Where to watch: Hulu

At first glance, The Bear feels chaotic and intense, but that’s part of its charm. The series follows Carmy Berzatto, a young chef who leaves the high-pressure world of fine dining to run his family’s struggling Chicago sandwich shop. Balancing perfectionism, grief, and a team of equally flawed colleagues, Carmy’s story is raw, emotional, and sometimes hilarious.

Why it resonates: The show acknowledges that ambition and exhaustion can coexist. It validates your drive while reminding you that it’s okay to stumble and take breaks along the way.

2. Somebody Somewhere 

Where to watch: HBO/Max

This tender, quiet series centers on Sam, a woman in her 30s who feels out of place in her small Midwestern town after the loss of her sister. As she navigates family expectations, friendships, and self-discovery, Sam begins to carve out a life that feels meaningful, even without a roadmap. The show’s charm lies in its attention to small victories, learning to connect, rediscovering joy, and slowly stepping into your own identity.

Why it resonates: It reframes ambition as personal growth, not constant achievement, showing that moving forward can be subtle and still powerful.

3. Little Women

Where to watch: Prime Video 

Greta Gerwig’s adaptation of the classic novel tells the story of the March sisters, each with her own dreams and challenges. Jo March, in particular, struggles to balance her desire to write with societal expectations and family obligations. The film emphasizes the tension between ambition, independence, and emotional fulfillment, weaving humor, heart, and resilience throughout.

Why it resonates: It affirms that ambition can be creative, emotional, and evolving—and that pursuing it on your own terms is a success in itself.

4. Working Moms

Where to watch: Netflix

This Canadian comedy follows four mothers juggling careers, family, and identity in a world that constantly judges them. From career setbacks to messy personal relationships, the series tackles burnout with honesty, humor, and relatability. It doesn’t sugarcoat the challenges of ambitious women trying to “have it all,” but it does highlight the value of friendship and self-care.

Why it resonates: It validates the struggle, showing that laughter and realism can coexist with ambition.

5. Julie & Julia 

Where to watch: Netflix 

This dual-timeline film tells the parallel stories of Julia Child in the 1950s and modern-day blogger Julie Powell, who challenges herself to cook all 524 recipes from Julia’s cookbook in a year. Julie’s journey transforms her frustration and stagnation into joy, creativity, and personal growth, while Julia’s story shows how dedication and curiosity can lead to a fulfilling life.

Why it resonates: It demonstrates that small, passion-driven goals can be energizing, grounding, and deeply motivating.

6. Ted Lasso 

Where to watch: Apple TV+ 

Optimistic yet realistic, Ted Lasso follows an American football coach who takes over a struggling English soccer team, despite knowing little about the sport. The series balances humor, heart, and personal growth, highlighting how kindness, emotional intelligence, and self-awareness often lead to the most lasting success.

Why it resonates: It encourages ambition without pressure, showing that personal growth and meaningful achievement don’t require burnout.

This article What To Watch When You’re Burnt Out But Still Ambitious was originally published on HerAgenda.com

When it comes to the holiday season, the culture has become centered around traditions such as decorating Christmas trees, creating “Vlogmas” content filled with Christmas fun, and gathering with family to watch holiday movies and specials.

And while all of that is fun, we don’t think about the people who are shaping those stories behind the scenes; especially women. Women, whether they’re showrunners, producers, or writers, are creating a new narrative around what holiday programming looks like for the year 2025. And that new narrative is pushing past nostalgia into holiday specials that intentionally feel more inclusive, purposeful, and reflective.

Melissa Joan Hart Is Blending Nostalgia With Modern Holiday Storytelling

Best known for her iconic role as Sabrina, The Teenage Witch, Melissa Joan Hart has graced our screens with her on-camera roles. However she’s held a producer’s hat after founding Hartbreak Films with her mother, Paula Hart in 1993. They realized that there wasn’t “any real programming that the whole family could watch”, and together they have produced many films and television shows.

Melissa has become a known female force in holiday programming as she’s been producing and directing holiday films the past 10 years. Her latest holiday film “A Merry Little Ex-Mas” is available on Netflix, and stars veteran actress Alicia Silverstone. 

Melissa understands the comfort viewers expect from a holiday movie, but she doesn’t treat nostalgia as the centerpiece for audiences’ entertainment. Instead her approach is to display comfort and warmth, and her films usually are about a woman navigating through real points in her life whether it’s personal or professional during the holiday time. This creative choice allows for one to watch something that honors the holiday tradition but introduces storylines that are more relevant to audiences now.

Melissa shared in a CNN interview that “more [women] need to think of [this] as a career.” Most people are wanting opportunities that cast themselves in the limelight, like an actress or singer. But Hartbreak Films advocates for women to be a part of the creative process in a “big boy culture.” Melissa’s creative space introduces more female writers, producers, department heads, and more with her holiday productions, showing how holiday programming can be familiar yet progressive.

Patricia Cuffie-Jones Is Expanding Who Holiday Films Are For

Patricia Cuffie-Jones has quietly become one of the most important voices in Black holiday storytelling. Patrica’s work as a producer and director spans over 20 years. After many “no’s” from Hollywood, she created her own production company for her holiday films. She’s produced more than ten films that stretch across platforms such as BET+, Netflix, and Tubi. Her latest, 2025 holiday film, Christmas by Design is more of her consistency to show how holiday movies can reflect culturally specific traditions while still appealing to a wide audience.

Patricia’s holiday films usually have a wide array of newcomer and veteran actresses such as Jasmine Guy, Romeo Miller, China Anne-McClain, and more. Her films are rooted in navigating family dynamics that leaves audiences to reflect on legacy, while still showcasing humor and love that many Black families can resonate with in their own relationships around the holiday time. Patricia’s approach through the tone, the casting, and narratives are crafted in a holiday genre that reflects in a genuine way how different families celebrate during the holiday times.

Melissa Kurtz Is Showing The Holiday Magic One Animated Story At A Time

Producer Melissa Kurtz has been in Hollywood for years and is known for being behind the scenes of family-friendly films such as Space Jam and Stuart Little. But she’s redefined what holiday programming looks like through animation, with the latest Christmas short film, “Prep and Landing: The Snowball Protocol” available on ABC, Freeform, Disney Channel and Disney+. 

A Charlie Brown Christmas and Frosty the Snowman are the most common animated holiday short films thought about, and those films came out in the 1960s. Animation has been around for a while, but Melissa is using animation to represent the heart of holiday storytelling while keeping it fresh. It’s something that’s built from scratch and expressed through color and movement, and to have characters, storylines, and cultural moments produced through the lens of a woman is powerful for the future of holiday programming.

This article Women Producers And Showrunners Shaping Holiday TV Specials in 2025 was originally published on HerAgenda.com

As Michelle Obama opens up about her evolution of style and self-expression in her forthcoming book, “The Look,” she invites readers behind the scenes of some of her most iconic fashion and beauty moments.

At the heart of that journey are two trusted voices: longtime hairstylists Yene Damtew and Njeri Radway — the women behind the former First Lady’s signature looks, from polished White House blowouts to the braid-forward styles that continue to spark global conversation and inspire women everywhere.

For Yene, this moment is about more than hair — it’s about heritage, confidence, and redefining what power looks like. A proud Ethiopian-American entrepreneur and champion of textured-hair artistry, she has dedicated her career to empowering women to embrace authenticity, whether they’re seated in her salon chair or stepping onto the world stage. Njeri, equally committed to honoring identity through craft, brings a perspective rooted in storytelling, cultural pride, and a deep understanding of how beauty can shape history.

Together, Yene and Njeri offer a rare inside look at the artistry, intention, and emotional depth behind the styles we’ve come to recognize — and why something as intimate as hair can become a statement of strength, freedom, and self-defined power.

Her Agenda spoke with both women about The Look, working alongside a global icon, and how they’re shaping conversations around beauty and representation that reach far beyond the chair.

Her Agenda: How did you both get your start in hair? Has hair always been a passion?

Njeri: It started with me going to the hair salon with my mother every other weekend. It started as early as elementary school, and I remember just being fascinated by the art of it all. I was in community college, not by choice, it was more so having Jamaican parents, and education is key. However halfway through it I decided it wasn’t for me and hair was a hobby I enjoyed it, so I enrolled into cosmetology school.

Yene: We have a lot of similarities. I went to cosmetology school at the age of 16. My fascinations with hair probably grew at a very early age. And what drew me in was on Sunday mornings my mother used to put hot rollers in her hair and go into the shower. It was super fascinating to me how it all worked out. I’m like wow you’re putting all these things in your head and all of a sudden you have this bounce; and that’s where the interest first sparked.

Her Agenda:  What does it mean to both of you to be a part of the former First Lady’s team?

Yene: She is no different than any other person that is trying to look and feel their best. That interpersonal relationship – being there to share good, bad, highs and lows with somebody – is what this industry is about. So for me having that privilege to understand that someone of that stature is just like every single one of us, and we always idolize people in that position, but to realize that they’re human beings, that’s the feel good that they’re able to pour back into you the same way that you pour into them, and it’s mutual. 

Njeri: I agree, I echo everything Yene is saying, but when people ask ‘What is she like?’ I’m like ‘What you see is what you get.’ [She’s a] real authentic, black woman, who is out here trying to make a mark on the world, and is trying to survive. While also spreading light and wisdom throughout, she’s also trying to show up as her best everyday.

Her Agenda: How long have both of you been with Michelle Obama?

Yene: I started in 2009 with the family. My primary focus was Ms. Robinson (Michelle’s mother) and the girls (Malia and Sasha). And then I stood in as a backup for Johnny Wright, who was her primary hair stylist throughout the White House years. And then I started as her colorist in 2012. So we’ve been with her for over [a] decade.

Njeri: I started in 2010, brought in by Yene, to work under Johnny Wright as his second assistant. And I was also more so helping with the girls along with Yene. I came out of the shadows in 2022 for “The Light We Carry” tour when she debuted her braids. 

Her Agenda: What has it been like working with Michelle Obama, creating looks, and being featured in her Look book?

Yene: The book was comprised in a way of storytelling. The book was [written] to be nostalgic and to share and highlight the processes and explain her time starting prior to the White House, going into the White House, and her post life. For me it was more about sharing my story as it relates to working with her, and talking about how we connected, how we began working with one another. Then there’s the part of our work being featured because we’re a part of these historical moments.

Njeri: You said it all. Honestly we’ve been here, we’ve been grinding. We’ve been doing what it is that we love to do. Not necessarily looking for the recognition, yes it’s great, I appreciate it all; but we show up and work hard, not looking for clout. It is great to be acknowledged now after so many years, and that’s a testament to our loyalty and our dedication and hard work.

Her Agenda: When it comes to hair, do you all have a motto?

Yene: “Good hair is healthy hair.”

Njeri: That part! You took the words out of my mouth!

This article Meet The Women Behind Michelle Obama’s Most Iconic Hairstyles was originally published on HerAgenda.com

In these times of creating your own lane, it appears that millennials have taken that notion and ran with it. Many things like the economy, job security, and cultural beliefs are uncertain. According to Forbes, the same survey that found that 60% of Millennials left their company in less than three years discovered that the primary indicator of whether Millennials stay at a company is if there is a “good cultural fit.”

Here’s how millennial women are redefining what career success looks like, how they are navigating on their own terms, and why they prefer to set their own expectations and career forwardness.

Why Aren’t Millennials For 9-To-5 Jobs?

“As a generation, we have been taught to question the status quo and I think it is right to look at alternative ways of structuring work that are more conducive to work-life balance and prioritizing things that fulfill you,” said Rebecca Lyons, Founder & CEO at Her Say

“We watched our Boomer parents work their lives away and save ‘living’ for retirement, only to get sick and die as soon as they retired,” said Jessica Bross, Ghostwriter, editor, and book coach at Cider Spoon Stories, LLC.

When Did You Know 9-To-5 Work Wasn’t For You?

“I knew the traditional 9–5 wasn’t for me when my daughter started school and the math of childcare plus rigid hours stopped making sense,” said  Francheska Stone, Podcast Host & Creator of 9 to 5 Mom With A Pod. “Working West Coast hours from New Jersey meant missing family time, and I realized I wanted control over my day and work that aligned with my values, teaching other mom creators.”

Ultimately, jobs only work when they correlate to the person. While a 9-to-5 job may feel more stable for some, a more flexible job may be more accommodating to others. The main key is finding a job that offers a decent work-life balance, so you don’t risk the chance of getting burned out.

Is Entrepreneurship For Everybody?

“I don’t think entrepreneurship is for everybody, and do believe that many people would be better off working a 9-5. A healthy labor market enables people to have options,” said Carli Fink, Workforce and Learning Consultant at Challenge Factory.

“No, it’s not for everyone,” said Iti Malken, Founder of LUMA Rituals. “Entrepreneurship demands resilience, self-motivation and comfort with uncertainty. Some people thrive in structure, and that’s fine. Stability can come from a 9-to-5 job or from owning a business. What matters is alignment with your personality and values.”

How To Ensure Stability As An Entrepreneur

“To ensure stability, I still align myself with 9-5 systems, but as a contractor, so that I can maintain my autonomy,” said Jamie-Lee Denton, founder at The SelfRep Lawyer. “Additionally, I’m always learning, I have an accountant to help me manage my finances, and I regularly assess my progress for weak spots and fix them.” 

“I also accept that stability is a myth. Life is going to life, so I have to create as many rafts and jackets to ensure I stay afloat,” Jamie-Lee said.

“The best piece of advice I have is to start building your business while you still have a job,” said Alexa Starks, founder at Executive Moms. Alexa suggests working on it on the weekends, in the mornings before work or after work, but while you still have income. She believes that starting out as an entrepreneur isn’t guaranteed stability or income, so building savings and a safety net as much as you can will be beneficial.

If you’re a millennial trying to find your way, know that there are options. Whether you decide to work a 9-to-5 job or go the entrepreneurial route, the opportunities are there for the taking.

Remember to make smart and intentional decisions; and consult with a mentor or someone you trust before making major moves.

This article Why Most Millennials Aren’t 9-To-5 Workers was originally published on HerAgenda.com

Women have profoundly shaped the horror genre with their visionary works, crafting films that rank among the most iconic and influential in cinema history.

In the past decade, indie filmmakers like Julia Ducournau and Ana Lily Amirpour have opened doors to make it more common to see women as horror directors, but it’s still statistically a fact that women only make up 5% of the directors in horror.

Despite traditionally facing gender-based challenges, these directors have left an indelible mark on the industry by contributing to the genre’s success with some of the most famous and critically acclaimed horror films, paving the way for future filmmakers, and continuously expanding the boundaries of horror cinema. Many viewers might not even realize that some iconic horror movies are by women or that they may have feminist themes hidden in them.

Here are the most iconic films by women directors who frightened audiences worldwide and inspired contemporaries.

The Babadook by Jennifer Kent

“The Babadook” is a psychological horror film that follows the story of a widow and her son as they are haunted by a terrifying humanoid monster in their home.

Critics have acclaimed the film as one of the scariest modern horror movies, praising it for its chilling atmosphere and deep psychological themes while it relies more on building tension than on traditional jump scares.

Over time, “The Babadook” has achieved cult classic status, with both audiences and critics praising its unique approach to horror. Interestingly, the monster itself has inadvertently become a queer icon, stemming from a viral incident where Netflix mislabeled the movie as “LGBT” rather than “Horror” when it was first streamed, further growing as people connected “a monster in a closet” as a queer metaphor. 

Jennifer Kent’s original interpretation of the monster was of mental illness, how depression and anxiety can cripple anything, even motherhood, and how you can only subdue that inner monster, not destroy it forever.

American Psycho by Mary Harron

“American Psycho,” released in 2000, is a gripping horror film that delves into the life of Patrick Bateman, a character who navigates the contrasting worlds of being an investment banker by day and a serial killer by night.

Bret Easton Ellis deemed his original book unfilmable, but Mary Harron’s vision and talent transformed it into a cinematic reality. Mary not only wrote the screenplay but also directed the film, showcasing her ability to translate the novel’s complex themes to the screen.

Since its release, audiences have elevated “American Psycho” to major cult-classic status, largely because Christian Bale delivers a performance often considered a defining moment in his career. The film’s portrayal of the conflicted and chillingly charismatic Bateman has also made it a popular subject for modern memes. Surprisingly, the best time to watch this movie is now.

Mary Harron’s female view on toxic masculinity has only held up better and better in the twenty-five years since the movie came out. Serial killer Patrick Bateman obsessively focuses on wealth and idolizes billionaires like Donald Trump. Mary Harron’s screenplay shines of satire, while Bret Easton Ellis’ original script may have kept his internalized misogyny.

Candyman by Nia DaCosta

Nia DaCosta’s “Candyman” serves as a direct sequel to the original 1992 film. The Candyman, a hook-handed African American figure with a haunting backstory, fell victim to a brutal murder after engaging in an interracial affair.

Intriguingly, the Candyman’s lore intersects with other infamous legends such as Bloody Mary. The eerie ritual of summoning both entities by repeating their names multiple times creates a chilling connection between folklore and cinematic horror. Nia DaCosta’s version takes the initial theme and updates it so more modern Black victims of senseless violence and murder join the Candyman’s “hive,” morphing into the societal monster they are wrongly perceived to be.

Pet Sematary by Mary Lambert

“Pet Sematary” is one of the first Stephen King novels adapted into a movie. It tells the story of a Maine family who moves next door to an ancient burial ground that can reanimate the dead. One thing Mary did not compromise on was casting. She insisted on her choices for main characters Gage and Jud.  Stephen King wrote the screenplay to this movie himself, and Mary Lambert was very faithful to his vision.

The First Omen by Arkasha Stevenson

The First Omen is part of the Omen franchise, focusing on an American nun working at an Italian orphanage who uncovers a conspiracy to birth the Antichrist. Arkasha Stevenson avoids traditional jump scares, opting instead for disturbing visuals that evoke deep terror. Notably, the film is famous for its harrowing childbirth scene, subverting romanticized views of motherhood by portraying it as horrifying. Arkasha highlights the commodification of women, presenting them as vessels and exploring themes of forced reproduction. Additionally, the film critiques the hypocrisy of the church, with all “villains” being church members, deepening its narrative impact.

This article Must-Watch Horror Movies Directed By Women was originally published on HerAgenda.com

As the leaves begin to turn and the air grows crisp, fall presents the perfect opportunity to curl up with books that challenge, inspire, and empower. Whether you’re seeking career guidance, personal transformation, or stories of resilience, these five must-read titles offer powerful perspectives on what it means to navigate the world as a woman with purpose and ambition.

From new releases to timeless classics, this curated selection speaks directly to the Her Agenda community: women ready to bridge the gap between their dreams and their reality.

1. The Woman in Me by Britney Spears

In this raw and revelatory memoir, pop icon Britney Spears recounts her journey from child star to global phenomenon, and her fight to reclaim her autonomy after years under conservatorship. Britney doesn’t hold back as she details the pressures of fame, the loss of control over her own life and body, and her ultimate path to freedom.

This book is a masterclass in resilience and self-advocacy. Readers will find inspiration in Britney’s courage to speak her truth despite public scrutiny and her determination to reclaim her narrative. It’s a powerful reminder that empowerment sometimes means fighting systems designed to silence you and that your voice matters, no matter who tries to diminish it.

2. Bittersweet by Susan Cain

From the bestselling author of “Quiet” comes a profound exploration of life’s inherent sadness and how embracing melancholy can lead to creativity, connection, and transformation. Susan weaves together psychology, personal narrative, and cultural analysis to argue that our culture’s obsession with positivity overlooks the beauty and power found in life’s darker moments.

This book offers permission to feel deeply and authentically, rejecting toxic positivity in favor of emotional honesty. Women juggling professional ambitions with personal challenges will find validation in Susan’s message that vulnerability isn’t weakness, but it’s the birthplace of meaningful growth and genuine connection.

3. The Memo: What Women of Color Need to Know to Secure a Seat at the Table by Minda Harts

Minda Harts delivers the career advice that women of color rarely receive in traditional professional development spaces. Drawing from her own experiences and extensive research, Minda addresses workplace microaggressions, the myth of meritocracy, and strategies for advancing despite systemic barriers.

This book isn’t just theory; it’s actionable guidance for navigating corporate America as a woman of color. Readers will gain practical tools for negotiation, networking, and self-advocacy, along with the validation that the challenges they face aren’t imagined but structural. Minda empowers readers to demand the seat at the table they’ve earned while building tables of their own.

4. Untamed by Glennon Doyle

Though published in 2020, Glennon Doyle’s manifesto continues to resonate as a timeless guide to breaking free from societal expectations. Through personal stories and fierce honesty, she challenges women to shed the conditioning that keeps them caged and to trust their own knowing above external voices telling them who to be.

Untamed is for anyone who’s ever felt like they’re performing a version of themselves rather than living authentically. Glennon’s call to “be the cheetah” rather than the domesticated animal encourages readers to reclaim their instincts, desires, and power. It’s essential reading for women ready to stop seeking permission and start trusting themselves.

5. The Right to Sex by Amia Srinivasan

Oxford philosopher Amia Srinivasan tackles the complexities of sex, desire, consent, and power in the modern world. This intellectually rigorous yet accessible collection of essays examines how feminism intersects with race, class, and transgender rights, challenging readers to think more deeply about bodily autonomy and social justice.

Something to note about this book is that Amia doesn’t offer easy answers, but rather invites readers into nuanced conversations about agency, pleasure, and politics. The text expands your understanding of what women’s empowerment truly means, not just in boardrooms and public spaces, but in the most intimate experiences and how people construct freedom itself.

This article 5 Women Empowerment Books To Add To Your Reading List This Fall was originally published on HerAgenda.com

Gospel artist Jordan G. Welch has a way of making worship feel like a community experience, yet personal. She invites people into spaces where it’s not just meaningful gospel for participation, it’s also where her music is set to be intentional, accessible and transformative.

From her start as a chemical engineer to becoming a Stellar Award–nominated artist, author, and community leader, Jordan has cultivated a career rooted in discipline and a deep understanding of her purpose to stir life changing experiences for others.

Her journey from lab to stage might seem unexpected, but her engineering background is what shaped her approach to music. That background taught her that thinking in systems can create every moment to be constructed with purpose, so whether it’s live performances or songwriting, the moments are organized and leave a lasting impression.

“One of the main things engineers are trained to do is think in systems, [and] one of the typical personalities of a creative is they’re all over the place,” Jordan said. “[Chemical engineering] helped me to organize my process, organize my creativity in a way that I can think from conception to completion.”

Creating Space for Every Voice in Worship

“People connect well where they are [and] where they’re invited,” Jordan said. “A lot of times, especially in musical spaces, there’s such a big divide between the platform and the pew. And I’ve always wanted to help make the pew feel more connected to the platform.”

A couple of Jordan’s viral and well known hits are her Choir Rehearsal sessions and her How Much More cover moments. And through each song it seems inclusivity lies at the heart of her work. There are many layers to the purpose of worship music, but one of those layers is community. Jordan’s system has allowed her to purposefully eliminate the barriers between the stage and congregation pews to ensure everyone can participate. Whether you’re a trained singer or not, Jordan’s ministry is a reminder that worship is a community experience.

“You can talk more when you’re writing [than] on stage,” she said. “For me, it is almost like expounding on an exhortation. I’m all about convenience, but not at the expense of comprehension.”

Jordan’s work has expanded online through her digital ministry “Reading with Jordi.” Jordan aims to reassure people the importance of faith and literacy combined. Her devotional, At His Feet: A 30-Day Invitation to His Word and His Throne, is a reflection space for study that supplements her stage work. Writing allows her to dive deeper into scripture, giving readers guidance and context that she can’t always offer during a live performance.

A Full-Circle Moment: Celebrating The Atlanta Anniversary Stop

The Worship Culture Tour has been a living example of her principles in action. And the Atlanta stop of the tour holds a particularly special place in Jordan’s heart, because it marks the anniversary of the live album recording that first brought her national attention. Jordan mentions this full-circle moment is “sentimental.” For her, it was a reminder of how far she’s come and her music is a growing community.

“Be very clear on what the vision is and what you believe your intentions and calling are,” Jordan said.

Jordan’s advice for emerging artists and creatives show that having clarity of your vision should guide your decisions. And her vision has demonstrated that gospel music goes beyond just a performance. Worship is about community, where everyone can participate and engage in a way that’s communal but still personal and authentic to them.

This article Jordan G. Welch On Blending Worship, Community And Digital Influence was originally published on HerAgenda.com

This fall has a very exciting lineup of films to wrap up the year. With awards season around the corner, this is always a time of year when some of the year’s best come out. Many of these films feature voices and stories that are often underrepresented in Hollywood.

We’re highlighting some films that are pushing the boundaries of what representation looks like to open doors for even more people in entertainment.

One Battle After Another

This is one of the year’s most anticipated films starring Oscar-winner Leonardo DiCaprio. The movie also stars Teyana Taylor, who got her start as an artist and has been taking on more acting roles, and this is her first blockbuster film. Director and writer of the film Paul Thomas Anderson told GQ about her, “She displayed a fierceness and emotional vulnerability that was very interesting to me as a director.”

The film also features Regina Hall and is the debut film for Chase Infiniti, who starred in Presumed Innocent on Apple TV last year.

The Smashing Machine

The biopic film stars Dwayne Johnson, following the life of UFC fighter Mark Kerr. Mark is a mixed race athlete of Puerto Rican and Irish descent who had a very public career of highs and lows. The film is produced by new Hollywood production powerhouse A24. The film is one of Dwayne’s biggest and most serious roles to date, and it is already receiving some heavy Oscar buzz. 

Wicked: For Good 

The global sensation is making its final showing later in the fall for part two. The first film became the top-grossing music adaptation ever, a little over a month after its release, so the follow-up is highly anticipated, with merch already hitting shelves. Part one received numerous awards and nominations, including nods for Cynthia Erivo and Ariana Grande at the Oscars for their performances. Cynthia is almost an EGOT, only missing an Oscar, and many believe this film will make her the third Black woman in history to have this honor. 

After The Hunt

Ayo Edebiri is continuing her rise in Hollywood, starring alongside legend Julia Roberts in this college-set drama. Ayo is coming off two Emmy nominations for best lead actress and director for “The Bear,” but she’s been slowly moving into bigger movie roles.

This time, Ayo plays a student who accuses a professor of sexual misconduct, and Julia’s character grapples with what to believe about her close friend who’s been accused. 

Kiss Of The Spider Woman 

Jennifer Lopez stars in this movie musical adaptation of the stage play. The movie follows a prisoner as he retells the story of his favorite movie starring Ingrid Luna, played by Jennifer. The film also has a predominantly Latino cast and is being released during Latino History Month. 

Hedda

This film is the 1891 stage play reimagined and directed by Nia DaCosta. This is the filmmaker’s follow-up to the 2023 Marvel movie “The Marvels” and is one of the very few major box office films directed and written by a Black woman released this year. “Hedda” stars Tessa Thompson as the titular character, a woman who wants to be “good” to her new husband but finds herself wanting to be a little bad.

All of these films, in one way or another, share stories that often are not the predominant narrative in our society. Nonetheless these are important films are changing what is important and valuable to Hollywood. If any of these look interesting make sure to see it so that the powers that be know you want more of them.

This article Fall Film Releases That Are Shifting Cultural Narratives was originally published on HerAgenda.com

Former producer of live music events turned speaker and author, Meghan Cathlin grew up in Texas, and after a difficult upbringing she discovered the joys of living “heart-first.”

Her father committed suicide before she was 10, and she grew up without a lot of supervision in what she describes as a “dark, kind of depressing home life.” She started skipping school, getting into drugs and alcohol, and ultimately dropped out of school in the eighth grade.

While skipping school, she befriended a homeless man who took on a father figure role. She spent a lot of time with him and other lost souls in fields in her neighborhood. The age difference wasn’t important to her, she said. It felt as if she had an escape from her difficult home life.

She lied about her age at 14 so that she would work at a jewelry supply store. Within a couple of years, she began attending school again and socializing more with peers her age. She went on to receive her high school degree, and then to college at University of the Incarnate Word. There, she majored in marketing in college, and landed her dream job working for a concert promoter.

She decided she was going to prove everyone in her small, wealthy town who doubted and judged her for having an untraditional childhood. She got straight As in school and prioritized networking. This soon led to burn out.

Pivoting And Realigning

“So I’d fallen into just the dream job of all dream jobs, and then I basically became obsessed with success,” she said. “So I went hardcore. I was exhausting myself by hurting myself so much, trying to please, trying to perform, and I basically started realizing that I was missing what really mattered, which was how I felt internally.”

She continued working in the entertainment business for 25 years and ultimately came to act as a trusted advisor to many of her high-profile clients– guiding, advising and coaching them in their major personal and professional decisions.

“I became a little bit of a hermit, like a recluse,” she said. “And for like a whole year, I just really stayed to myself. And so I got really quiet and started writing. And on the other side of it, I’m a totally different person because I honored my heart and I’m happier than I’ve ever been, which is so cool.”

She then began writing her debut book on the power of leading with the heart.

One of the tools Meghan used to learn to lead with her heart is to reach a state of ‘heart coherence.’ Meghan explains ‘heart coherence’ as the state in which systems – mental, physical and emotional – are in harmony. She credits the HeartMath Institute for coining the term.

“When our brain and our heart – and even our breath and our hormones – all are in sync, that’s when we are in a state of heart coherence,” she said. “Instead of being in a crazy, like stressed out state, you’re able to be your most powerful, true self.”

Benefits Of Heart Coherence

To Meghan, heart coherence allows us to go with our own knowing as opposed to making a decision clouded by other people’s judgements. She said a major benefit is no longer wasting time in draining situations.

“Too many of us are living the life [that] we think we are supposed to live,” she said. “So, living a fully expansive life and knowing fulfillment and purpose in a way that makes your heart light up, that’s the number one benefit.”

The book touches on letting your heart lead through the experiences women face in their lives such as misalignment in the workplace, the role of being a caregiver, and relationships. The book is part memoir and part prescription, as Meghan puts it. There are moments where Meghan reflects on her experiences, and there are also exercises for the reader to implement as well.

The book is for those who are tired of the hustle and looking for more. People who simply want to live joyful lives and live out their purpose, she said.

“Because we all know the stories,” Meghan said. ”We see all the 80 or 90 year old people, we all hear what happens on their death beds and they’re upset about all the things that they didn’t do.”

“I think it doesn’t have to be that way. I think we overcomplicate it. This book is the answer for people who are tired of doing all the wrong things that aren’t working and they want to be fulfilled and seek purpose.“

‘Leading With the Heart: The Courage to Trust Your Inner Wisdom and Rewrite Your Life‘ is now available.

This article Author Meghan Cathlin On Her Debut Book And How To Live ‘Heart First’ was originally published on HerAgenda.com

New seasons often bring fresh routines, wellness checkups, and for many families, a trip to the pediatrician. For many parents who accompany their kids on these visits, it comes with a big fear.

Dr. Letisha Jefferson, a Jacksonville-based pediatrician, is aiming to change that. With her new children’s book, Zoe’s Day with Dr. J, she’s helping kids to not view doctor visits as scary and more comforting.

“I have several experiences where children come into the office and as soon as you walk in the room, you can feel the anxiousness, the nervousness, and it’s just tense,” Letisha said.

The idea for her book came from what she sees every day at her practice. Over time, Letisha came to the realization that the fear kids experience during their visit stems from skepticism. They simply don’t know what to expect. Her resolution for this was to create a story where kids could preview the visit before it even happens.

Turning Fears Into Curiosity at the Doctor’s Office

“Zoe’s Day with Dr. J” walks children through what happens in a typical checkup, from listening to their heartbeat with a stethoscope to navigating the moment of the dreadful shot. The book’s main character, Zoe, who is modeled after her own daughter, represents curiosity and calmness for kids, even down to taking a deep breath before the pediatrician issues the shot.

“I think that’s important for kids to see representation, because if they see it, it’s easier for them to believe it and achieve it,” Letisha said.

Letisha said she was intentional about making Zoe’s world relatable for all kids. Every subtle thing was deliberate so it felt inclusive. For instance, both Zoe and Dr. J are both wearing the same color purple, and that’s a reminder to show that Zoe is seeing what she could become. There’s also diversity represented from the nurses even down to the receptionist who are all modeled by people Letisha works with at her practice.

Building Confidence In Children’s Health Through Stories

“I think it’s really important to start teaching children to advocate for themselves in all areas of life, but specifically in this health setting,” Letisha said.

Beyond the story of lessening fears and showing diversity through representation. Letisha designed the book as a toolkit. She included a companion coloring and activity book to prepare kids before their visits and after when they’re at home. The book includes a matching game, a word find, and more to teach children to ask questions, advocate for themselves, and practice relaxation techniques. She even created a Zoe plush doll toy so kids can bring a companion buddy to their appointments for encouragement. 

“There’s not a stupid question,” she said. “There’s a lot of misinformation out there on the webs [and] social media, and that’s what your healthcare provider is there for.”

For parents, the book is a resource guide to ease the pressure of “getting it right” when it comes to handling doctor visits with their children. Letisha said she believes one of the biggest misconceptions for families in the health setting, is that they’re afraid to ask questions. So this book debunks doctor myths and misconceptions to help families approach health just with more confidence and less guilt.

Though the book just launched, Letisha has already started using its proceeds to give back with her pre-order sales. She’s taking a portion of the proceeds from her book to distribute to various organizations, and different ventures that support pediatric endeavors such as STEM and health related events.

Letisha said she is excited to see where this journey takes her and hopes this is the beginning of a larger movement in the healthcare space where kids feel seen, heard, and empowered.

This article Healing Through Stories: How Dr. Letisha Jefferson Is Reimagining Pediatric Care was originally published on HerAgenda.com

“[The industry] won’t change on its own,” said Carrie Bloxson, Chief People Officer at Hachette Book Group. “It’s going to change when people like the ones in this room show up, speak up, and lead with purpose. That is the work. And that is the invitation for tonight.”

And so began “Off The Page: The Women Changing Publishing and Media” on Thursday, Sept. 25 at the Hachette Book Group offices in Midtown Manhattan. 

Hosted by Her Agenda, in partnership with Hachette and its Women in Publishing employee resource group, the panel, moderated by Founder and CEO of Her Agenda, Rhonesha Byng, included some powerhouse voices transforming the industry: 

• Eboni K. Williams:  Humanitarian, Attorney, Author, Television Host
• Debbie Millman: Designer, Author, Educator, Brand Consultant, Host of the Webby-winning podcast ‘Design Matters’
• Shannon Downey: Artist, activist, and founder of Badass Cross Stitch and Seriously Badass Women

Before the panel, attendees were treated to a “Lightning Talk” between facilitator Sojourner Elleby, Digital & Social Media Manager at Hachette Book Group, and Sally Kim, President & Publisher of Little, Brown and Company, that offered an insider’s look at the power of diverse voices in the publishing industry. 

The evening offered several takeaways to inspire action ON and OFF the page. 

Your Identity Is Your Super Power

When Sally first started in publishing, there weren’t many people who looked like her. Today, she is the first Asian American person to lead a major publishing house. She said she has come to recognize that her identity is her superpower. In fact, everybody’s is. Background, as we know, shapes perspective. 

“It affects everything I do,” she said. “I expect everybody to bring their full selves.”

Shannon said she does this by using her art to challenge power, build community, and activate others.

“Craft is just the tool I use,” she said. “I’m an activist.” 

Eboni said she leans into the fullness of her identity, even if it may seem like a contradiction to others. As a former criminal defense attorney, a pageant queen, an intellect and a reality TV star, she said she fully embraces her dualities, which allows her to live life as true to herself as possible. 

“I don’t make decisions by committee,” she said. “I know best for me.”

And if others don’t like it? That’s fine, she said.

“If you’re going to have the audacity in this world to be anybody, let alone a woman, and let alone a woman with some melanin and any other additive identities (seen or unseen), you would do yourself well to get very comfortable being unliked,” she said. “I will be the villain in your story, as long as it affords me peace.” 

It’s Not Always About How You Start, It’s How You Finish

One of the biggest takeaways from the evening was that success is not linear. 

“I came into book publishing as a failed writer,” Sally said, after discussing how even though her dream was to become a journalist, she later realized that what she really loved was helping others shape their stories. 

The rest of the panel shared similar stories of the twists and turns that contributed to their success. 

Shannon, for example, never set out to write a book. In fact, when she was first contacted by literary agents, she assumed it was a scam. Although they wanted a craft book, she insisted on an activism one, except she didn’t know what that could be. It wasn’t until two years later that the vision came, and she was able to write her manuscript. 

Debbie, in contrast, had always dreamt of writing a book. After pitching some ideas, she was politely turned down. However, opportunity came-a-knocking a few months later when a friend passed on a book proposal and recommended her instead. 

Eboni transitioned from a criminal defense lawyer to mass media because she wanted a more immediate impact. While at Fox News, Roger Ailes encouraged her to “sell something,” prompting her to pitch “Pretty Powerful.” When publishers realized it wasn’t a conservative book, they backed out. She returned the advance and published with a smaller press instead. Her second book pitch was initially rejected as well, but she maintained a good relationship with the publisher, and when the right time came, her book was published.

You Sometimes Have To Build Your Own Stage

Debbie said if you want something, you must make the first ask. If this is what you want to do, you must take the steps to make it happen. Build the room you want to be invited to. 

The panel shared some additional actionable tips: 

• “Keep relationships warm.” – Eboni

It’s all about people and connection. A rejection can turn into an opportunity later on.

• “Anything worthwhile takes time.” – Debbie

If you are a multifaceted person who likes to do a lot of things, you must have patience. Mastery and acknowledgement may take a while. 

• “Be together in community in real life.” – Shannon

A big social media platform, all panelists agreed, is helpful, but connecting with people in real life is what really moves the needle. 

For those who do not have a huge following, Debbie advised working with a publisher that matches your efforts and puts in as much energy into promoting your book as you do. 

Post-panel there were book signings of course, and networking while sipping on custom cocktails thanks to Edmond’s Honor. To relive the evening, check out the video above and the full photoset here.

This article When Women Tell Their Stories, Industries Shift: Inside Her Agenda And Hachette’s ‘Off The Page’ Event was originally published on HerAgenda.com

Eugenia Cheng wears many hats: mathematician, pianist, professor, author and scientist-in-residence at The School of The Art Institute of Chicago. With perseverance and vision, she has built a career that bridges rigorous mathematics with creative communication, bringing complex ideas to wider audiences.

Along the way, she has published seven  books with Hachette Book Group, including one  for children, proving that math doesn’t have to be intimidating, it can be accessible, joyful and deeply human. In 2024, Eugenia won the LA Times Book Prize for science and technology for her book, “Is Math Real? How Simple Questions Lead Us to Mathematics’ Deepest Truths.” Her  new book, “Unequal,” Eugenia explores how mathematics isn’t a series of rules, facts or answers, but rather an invitation to a more powerful way of thinking.

Though she never set out to become an author, Eugenia embraced the opportunity to share her perspective and passion for problem-solving with readers around the world.

Her Agenda sat down with Eugenia to discuss her career, her unexpected path to publishing, and how she’s redefining what it means to be a mathematician in today’s world.

Her Agenda: What do you feel is your greatest accomplishment thus far in your career?

Eugenia Cheng: I think that my greatest accomplishment is that I achieved what I was originally setting out to do and then I realized that I wanted to do something more; and then I did that. I started off just being a normal math professor, and I worked so hard to achieve that; and when I got tenure I realized that I wanted to do more than that. I wanted to speak to more people in the world.

Her Agenda: When did you begin your career?

Eugenia Cheng: Well, I was always working towards it because I wanted to be a math professor since I was quite young – I’ve been working towards it my whole life, starting in elementary school. I came from the kind of immigrant family where failure isn’t an option. I felt I had to achieve the maximum amount all the time so that I would do justice to the sacrifices that my parents made.

Her Agenda: When did you publish your first book?

Eugenia Cheng: So, 2013 is when I proposed my first book, “How to Bake Pi” and that came out in 2015. And that was successful and was also when my freelance career started developing. 2015 is when I really started to do public speaking, freelance, and building a different sort of career for myself.

Her Agenda: Did you know that you wanted to be an author or did it organically happen?

Eugenia Cheng: It organically happened. I actually find it quite baffling when people have a dream of writing a book, because often they say they have a dream of writing a book, but it’s not that they have something specific they want to say, they just like the idea of writing a book. Where I was the opposite, I always had a lot to say, but I didn’t specifically want to write a book, I just wanted to communicate things. All I’ve ever wanted to do is reach more people.

Her Agenda: How did you come to be a part of the Hachette Book Group?

Eugenia Cheng: I was based in the UK at the time and I got a contract with Profile, and they had worldwide rights, so I went to New York with their agent and met a bunch of publishers in 2014. I had a really great meeting while I was there, and I will never forget the day I got the call from the agent, and heard what they were offering for my book. They loved it and I loved them, and I’ve been with them ever since.

Her Agenda: What’s a goal you’ve yet to fulfill?

Eugenia Cheng: At some point I really want to write a memoir, not to tell people about my life, but to put myself out there as a case study of how a minority person became a mathematician. I’d like to show the struggles. I’ve always been the minority. I’ve never had an Asian professor. I’ve given seminars where I am the only female in the room, and non-white person in the room. In addition, being a woman in a male-dominated field, it took me a very long time to find the right partner that wasn’t put off by that success.

Her Agenda: What advice would you give a young minority millennial woman trying to find her way in her career?

Eugenia Cheng: I would like to give advice about imposter syndrome. It’s probably not something you’ve made up in your head if you’re a minority woman. It’s probably people deliberately making you feel like you don’t belong, because of their biases. I don’t think we should call it imposter syndrome, I think it should be called “surrounded by unsupportive people syndrome.” I actually have reverse imposter syndrome, where imposter syndrome is believing you’ve achieved things you don’t deserve. My reverse imposter syndrome is I’m pretty sure I haven’t received recognition for things I deserve, or that it’s taking me longer to receive recognition.

Her Agenda: Do you have a favorite quote?

Eugenia Cheng: This quote is my own and is in the dedication of my book “Is Math Real?” and I said it when I accepted the LA Times Book Prize, and it really resonated with people:

“If you have been made to feel bad at math, you didn’t fail math, math failed you”- Eugenia Cheng.

[Editor’s note: This interview has been edited for length and clarity. This feature is sponsored by Hachette Book Group.]

This article How Eugenia Cheng Is Redefining What It Means To Be A Mathematician was originally published on HerAgenda.com

As the 2025 fall TV season draws near, we are getting the first glimpses into what’s to come. Trailers drop, critics weigh in, and anticipation builds. 

This year, women writers of color are redefining fall programming from behind the scenes, shaping narratives with fresh perspectives, authentic representation, and emotional depth. Their influence stretches across genres and platforms, elevating themes and ultimately, television, by challenging stereotypes and centering underrepresented voices.

Beyond The Gates (CBS / Daytime)

A groundbreaking milestone for broadcast television, Beyond the Gates is the first U.S. daytime soap opera centered on a Black family.

Veteran writer Michele Val Jean created the series, which portrays the affluent Dupree family in Maryland with striking cultural authenticity, from set design to styling, bringing representation to a genre long devoid of it.

Ironheart (Disney+)

This MCU miniseries, head‑written by Chinaka Hodge, follows Riri Williams, the brilliant Black teen genius from Black Panther: Wakanda Forever.

Chinaka’s role as head writer brings cultural authenticity and emotional nuance to a hero’s journey that foregrounds identity alongside innovation. Through early reactions and previews, critics have emphasized how Chinaka anchors Riri’s brilliance in lived experience, expanding superhero storytelling in meaningful ways.

Miss Governor (Netflix)

Co-created and executive‑produced by Niya Palmer, alongside Tyler Perry, this comedy‑drama centers on Mississippi’s first Black lieutenant governor.

The show blends satire with family dynamics and politics. The trailer underscores how Niya’s leadership behind the scenes influences tone, balancing humor with societal commentary in a narrative that centers Black women in political spaces.

Forever (Netflix)

Adapted by veteran writer Mara Brock Akil, this coming‑of‑age reboot of Judy Blume’s Forever relocates the story to Los Angeles, focusing on two Black teens navigating young love in 2017. Mara’s ability to amplify emotional honesty and modern relevance through authentic representation. The series taps into the nuance of identity, sexuality, and cultural context as filtered through Mara’s perspective.

Thematic Impact And Narrative Influence

These creators are pushing TV beyond surface-level inclusion:

• Ironheart brings a Black female inventor to the forefront of a superhero narrative.
  
• Miss Governor presents nuanced commentary on race, gender, and governance through comedic storytelling.
  
• Forever explores intimacy, identity, and belonging in ways that feel deeply grounded.
  

In early trailers and critic commentary, these series are praised for their depth, voice, and emotional realism, each rooted in a writer’s personal stake in the narrative. Viewers can expect characters and plots that feel both universal and rooted in heritage.

Fall TV previews reveal a powerful truth: women writers of color aren’t just part of the conversation, they are leading it. Through emotionally rich, culturally grounded storytelling, they are expanding what mainstream television can, and should, look like.

This article How Women Writers Of Color Are Reframing Fall TV Narratives was originally published on HerAgenda.com

From the birth canal to baptism, water is the setting and the vessel for new beginnings and transformation. 

So it’s not surprising that, amidst the backdrop of the ocean along the shores of the island of Barbados, in partnership with Visit Barbados, a group of 25 accomplished women embarked on a retreat that created a safe space for getting back our shine, getting back our wealth, getting back our life, getting back to sisterships and, ultimately, getting back to ourselves. The group stayed in private villas at Apes Hill, luxurious homes against the serenity of greenery and nature that offered the best space for reflection and renewal.

“From the time we met the leader of Support Your Girlfriends, we saw immediate synergies,” said Tenisha Holder, Senior Business Development Officer at Barbados Tourism Marketing Inc. “They have a vibrant community, [are] influential in their spheres, and immerse themselves in culture while building deeper relationships not just with each other but also with the destination. For us, partnerships are never transactional; we look to build long-term bonds.”

2025 marked the 7th annual Support Your Girlfriends retreat, produced by Tené Nícole and created by Dr. Nikkia McClain. The women participating in this retreat are leaders in media, real estate, and nonprofit industries, to name a few. Among them were Guerdy Abraira, a notable reality star from The Real Housewives of Miami, Candis Grace President of marketing agency The Brand Group LA, Bershan Shaw a well-known TV personality and entrepreneur, and Ashaunna Ayars CEO and founder of The Ayars Agency. The trip itself offers an opportunity for women who have been part of what is affectionately called the Glossy Posse to reconnect while also serving as a gateway for new inductees into the Glossy Posse. 

“Support Your Girlfriends was created to serve women of color who operate at the highest levels,” said Nikkia McClain, founder of Support Your Girlfriends. “It provides a space where they can drop their superwoman cape, be authentic, and let love, support, and sisterhood flow freely.” 

When asked about her perspective on how the community has grown, she adds, “There are 56 #GlossyPosse members, but our SYG community has grown to over 400 women! Not to mention our New York and New Jersey chapters launched, and Atlanta is launching in October 2025.”

More Than A Trip

What is clear, and sets this group apart from a typical press trip or vacation club, is that it’s deeper than “a trip.” The core is sisterhood, support and creating spaces where vulnerability unlocks victory. 

The welcome dinner at Baia Barbados focused on the theme of “Getting Back To Us!” The dinner provided space for organic conversations amidst a sea of pink dresses and the chance for everyone to formally introduce themselves to the group. 

Giving Back, Lifting Up

Day two centered on getting to know the island a bit via a tour, and a giveback experience focused on empowering the teens who are part of “I AM A GIRL!” Jen Hayes Lee, founder of Bestow and author of The Golden Hoops, led a session that walked the teens through a framework to embrace their curiosity and tap into their strengths.

“Support Your Girlfriends has insisted on giving back from the very start,” Tanisha said. “They’ve partnered with the ‘I Am A Girl’ charity every year, pouring into young women with their knowledge and experience. This year, we gathered at one of the island’s most scenic spots, Animal Flower Cave, and had real conversations about real issues. I love to see when groups prioritize giving back. It’s easy to be swept up by Barbados’ beauty, but this shows depth.”

Crowns And Confessions

That evening, Lucinda Cross opened the dinner conversation with the metaphor of the shark vs. the goldfish. Titled “Getting Back To You!,” she explained how goldfish wait to be fed, confined to their bowl, while sharks move with precision toward their goals. The exercise asked each woman to stand before the room holding a crown and to declare what it meant to them.

“A crown is not just about glory. It’s about responsibility,” Lucinda said. “When you wear your crown, you declare who you are and what you stand for.”

As an attendee/participant in this group, I confessed something I had never confessed before. At the beginning of this year (now Her Agenda’s 17th), I considered the possibility of shutting down Her Agenda. As I stood before the women present, I recalled multiple moments of hitting a low (both personal and professional), and reflected on how ultimately those hardships inspired me to double down on my purpose. Despite it all, I survived those things, and it was for a reason. Like waves that crash but always return, those low points forced me back to my purpose with more force than before.

The testimonies shared alongside an illuminated pool left the air charged with emotion. Here water, in the form of tears, communicated empathy, vulnerability, and ultimately courage. Every woman displayed courage to break down their armor and unlock a new layer of connection with their girlfriends, old and new.

When asked what her takeaway is from this year’s retreat, Nikkia responded simply, “Wow! I felt such a joyful cry after this year’s retreat, as if God was hugging me and saying, ‘Great job, daughter! Once again, you created a warm, safe space where women could be vulnerable, truly seen, protected, held, prayed over, and even find healing for their insecurities or doubts.’” 

Freedom, Shine, And Wealth

From testimony to turn-up, we moved seamlessly into celebration. The next few days brought a beach day and pool day with discussions rooted in “Getting Back Your Freedom!” presented by Modupe Rouse and “Getting Back Your Shine” hosted by Charreah Jackson, founder of Shine Army. 

“This is your reminder to unmute fully in your life,” Charreah said in her closing message, encouraging us to be bold in our accomplishments.

Later that evening, we enjoyed dinner and a celebration focused on “Getting Back Your Wealth” hosted by Debra Marshall at The Captain’s Annex and “Getting Back Your Life” presented by Arkell Cox, founder of MatriArk. 

“Manifest. Motivate. Movement,” Arkel said. “That’s the rhythm of getting back your life.”

And to close out the night within a sea of beautiful hues of brown we celebrated the milestone birthday of our sister Debra Marshall then went home to break the internet with a TikTok/Reel post that now has nearly 500,000 views and counting. 

View this post on Instagram

A post shared by Guerdy Abraira #GUERDYFY (@guerdydesign)

Sistership At Sea

For the grand finale, we embarked on a yacht experience and closed out with a dinner focused on “Getting Back To Sisterships,” presented by Shay Wood, founder of Wood Enterprises and Co-President of Support Your Girlfriends NYC Chapter. 

Dressed in “metallic chic,” Shay challenged us to imagine our original sister, ourselves, particularly our younger selves. Would little you be proud of where you are today? 

As humans, our most transformational moments are shaped by water. As sisters of the Glossy Posse, we returned to the shore, reminded that water cleanses, water connects, and water carries. Like the tide, this retreat sent us back renewed and ready to flow into whatever comes next.

So what’s next for this group? More than a trip, there are moments of support and sisterhood throughout the year, including the upcoming Pow(H)er Awards this November. The anchor point is the 8th annual Support Your Girlfriends Retreat in 2026, returning to Barbados.

“There’s something for everyone here,” Tenisha said. “If you’re into food, nature, deep-sea diving, or history and culture, you’ll find it in Barbados. But above all, it’s our people. Visitors tell us year after year that’s what makes the island feel like home, which is why so many return again and again.”

This article Support Your Girlfriends Retreat Makes Waves In Barbados For Its 7th Year was originally published on HerAgenda.com

The 82nd Venice Film Festival has arrived and is set to offer a diverse lineup of international cinema. It is the oldest film festival in the world and also known as one of the “Big Five” international film festivals worldwide.

The festival is notorious for launching new films and new filmmakers as well as celebrating more established filmmakers. From Aug. 27 to Sept. 2, stars, directors, and industry professionals will make their way to Venice to indulge in cinematic artistry from creators new and old. Although women directors don’t have the strongest presence at the highly coveted festival, numbers steadily have increased over the last three years.

According to the Golden Globes, for the 81st Venice Film Festival in 2024, women directors accounted for six out of the 21 films in competition that year. This year’s festival will see an expansion of African films by different women directors of color across various categories, which makes it the first year that the festival has had a broad and inclusive African selection. Women of color directors are breaking the mold increasing more and more each year. Although growing by small percentages, they are telling stories with impact. From Olubunmi Ogunsola to Kaouther Ben Hania, here are women directors of color at the 2025 Venice Film Festival that need to be on your radar.

Olubunmi Ogunsola

Hailing from Nollywood, Nigeria, Olubunmi Ogunsola has been making waves for her short film “Saint Simeon” which features Nollywood heavyweight Kanayo O. Kanayo.

The film navigates tradition, identity, and generational change in an ever evolving world. The Howard University alum also expertly showcases the clash between tradition and modernity and how the younger generations deal with change. Olubunmi has garnered widespread attention for “Saint Simeon” achieving an impressive feat of having an African film on one of the world’s biggest stages in Venice.

“Saint Simeon” will show alongside other films in the Orizzonti Short Films International Competition. The 18 minute short film also features actors Ego Iheanacho and Victor Ohia Ohioha. This is Ogunsola’s first short film.

Maryam Touzani

Moroccan filmaker Maryam Touzani is all too familiar when it comes to Venice, her films such as Adam and The Blue Caftan have impressed audiences.

This year she’s back with a groundbreaking new film “Calle Malaga.” This is her first Spanish-language film and follows María Ángeles, a 79-year-old Spanish woman living alone who finds herself in a fight to save her childhood home in Morocco as her daughter tries to sell it. Along the way she is reintroduced to love and longing.

The film follows themes of loss, change, and the ties that forever binds us to our roots. The film stars iconic actress Carmen Maura and is set for an international theatric release in March 2026. It will make its way around the festival circuit, also appearing in the Toronto Film Festival. Maryam initially began her career as a film critic before deciding to step behind the camera. Studying journalism in London, Maryam developed a passion for film and decided to combine that passion with her love of writing. She specializes in documentaries as well as short fiction films that are personal to her and her country. In 2019 she was selected as a member of the Academy of Oscars. Some of her previous films include “Much Loved,” “Quand ils dorment,” and “Aya va à la plage.”

Shu Qui

Hong Kong-Taiwanese actress Shu Qui is to make her directorial debut with “Girl.” Shu’s film has been shortlisted for the main competition at this year’s festival and makes it the first time in over a decade that a Taiwanese film has been selected for the main competition.

According to Deadline, “Girl” takes place in Taiwan in 1998 and follows a young girl Hsiao-Lee, a quiet and withdrawn girl, growing up in silent gloom. Her encounter with vibrant and carefree Li-li, reawakens long-buried dreams. Lee’s world is upended when her mother’s past resurfaces mirroring her own pain.

The film navigates Lee’s longing for freedom. “Girl” is self directed and self written by Shu and will be a foray into a new world for her. The actress has a 30-year career under her belt starring in major films such as “So Close,” “The Assassin,” and “Three Times.” Upon finding out she was shortlisted for the major film festival, she released a statement via Deadline. 

Kaouther Ben Hania

Tunisian filmmaker Kaouther Ben Hania is a cinematic visionary. As the first Arab woman to receive two Oscar nominations, Kaouther seeks to take all the necessary risks to tell a story thats authentic and real. Her films portray a realness despite sometimes exploring painful topics.

Her film for this year’s Venice Film Festival “The Voice of Hind Rijab,” depicts the final moments of a 6-year-old Palestinian girl who begs for help while trapped under Israeli fire in Gaza. The film details the heartbreaking reality of children who are caught in the crossfire of high conflict zones. Kaouther always pushes the boundaries and has a natural curiosity.

“As a screenwriter and director, I am driven by a great curiosity and an intense desire to learn. I see each of my films as an opportunity to explore terrain that is both familiar and unknown to me,” said the director.

The director studied cinema at the Sorbonne Nouvelle and La Fémis Film School and has since achieved international success. Her 2020 film “The Man Who Sold His Skin” won the Best Actor Award at the Venice Film Festival.

This article Women Directors Of Color At The 2025 Venice Film Festival You Should Know was originally published on HerAgenda.com

As we approach the final stretch of summer, there are still numerous new TV shows to enjoy. Whether you’re looking for comedy, drama, or action, here is a list of what’s trending on screen this summer.

Ironheart (Disney+)

We first meet MIT student Riri Williams (Dominique Thorne) in Marvel’s Black Panther: Wakanda Forever.

In the movie, Riri, a talented and inventive young woman, creates a powerful weapon that closely resembles the Iron Man suit of armor. In Ironheart, Riri returns home to Chicago, where she battles internal and external struggles. During this journey, she encounters and joins a group of thieves, adding even more excitement to her story. 

Foundation Season 3 (Apple TV+)

Adapted from Isaac Asimov’s book series, Foundation takes place 12,000+ years from the present day. Foundation season 3 continues 152 years after the end of season 2, following the epic saga of a band of exiles, Hari Seldon (Jared Lee) and Gaal Dornick (Lou Llobell), on their mission to save humanity and rebuild civilization.

Now facing their biggest threat, the psychic warlord known as The Mule (Game of Thrones’ Pilou Asbæk),
alongside the waning Genetic Dynasty of Clones known as Empire (Lee Pace as the central Empire, Brother Day) and their calculated, loyal servant, Demerzel (Laura Birn).

The Summer I Turned Pretty Season 3 (Prime Video)

The Summer I Turned Pretty is a multigenerational drama series based on Jenny Han’s bestselling novels. It follows the story of Belly (Lola Tung) and her love triangle with brothers Conrad (Christopher Briney) and Jeremiah (Gavin Casalegno), as they navigate the ups and downs of teenage romance during summer vacations.

The series explores the messy relationships, emotional confrontations, and surprising twists that come with growing up and falling in love. As the show moves into its third and final season, fans can expect new scenes, romantic flashbacks, and major shakeups in the characters’ relationships.

Alien: Earth (FX/Hulu)

The Alien franchise has experienced a revival since 2012, with last year’s Alien: Romulus feeling most like the 1979 original. Now, we have something new: a TV series.

Alien: Earth, written and directed by Noah Hawley of Fargo, is a prequel to the first film, depicting events after the deep space research vessel USCSS Maginot crashes back on Earth. A team of soldiers, including Wendy (Sydney Chandler), a hybrid human who uploaded her consciousness into a synthetic body, Kirsh (Timothy Olyphant), a cyborg named Morrow (Baboucarr Alieu Ceesay), and others, investigate the wreckage and uncover the terrifying secrets the franchise is known for.

Ballard (Prime Video)

Ballard stars Maggie Q as LAPD Detective Renée Ballard, a dedicated and seasoned officer who heads the department’s cold case division. With a reputation for tenacity and sharp investigative skills, Detective Ballard is committed to solving some of Los Angeles’ most challenging and long-forgotten crimes.

Inspired by the compelling novels of Michael Connelly, the show immerses viewers in the gritty and complex world of detective work. Each episode follows Detective Ballard as she meticulously uncovers clues, overcomes obstacles, and seeks justice for victims of cold cases, highlighting this relentless pursuit’s emotional and psychological toll.

Wednesday (Netflix)

The second season of the rebooted Addams Family franchise premiered on Netflix, except this time, the focus isn’t solely on the titular character and incorporates more of her morbid, albeit beloved, family. Wednesday (Jenna Orgea) is back for another school year at Nevermore Academy, except this time she’s joined by her little brother Pugsley (Isaac Ordonez), father Gomez (Luis Guzmán), and mother Morticia (Catherine Zeta-Jones).

After Wednesday saves her school and town from the Hyde monster (Hunter Doohan), she returns to the academy as a celebrity, much to her chagrin. But the murder mystery isn’t over yet, as a host of new threats are coming for Wednesday, including her newfound power slipping out of her control. 

This article What’s Trending On Screen This Summer was originally published on HerAgenda.com

Vaughan Anoa’i is a force. Combining her love of volleyball and service, she has been able to impact the lives of many girls with her sense of passion.

A senior at Georgetown University in Washington, D.C., Vaughan is the school’s first Samoan and Black volleyball recruit. Her achievements span a mile long, as she comes from a wrestling dynasty family. She broke out from the family business, choosing volleyball.

Since then, she has become a two-time USA Volleyball Junior National Championships Gold Medalist and created her charity Vaughan’s Block Back, which helps to make club volleyball accessible for all girls – while balancing her studies at Georgetown. She has raised $19K for her pledge and plans to expand her reach to the DMV area, where she’s called home over the last three years.

Her Agenda spoke with Anoa’i about volleyball, her purpose, and her mission for the future.

Her Agenda: Tell me about the first time you picked up a volleyball. What made you fall in love with the sport?

Vaughan Anoa’i: When I was in elementary school, I was exposed to pretty much every sport. I played tennis, soccer, and basketball. While I enjoyed them, there wasn’t much of a connection, and I was still looking for other sports that I was interested in and wanted to try.

There were tetherball courts at my elementary school. Every day, I would go and play. I remember enjoying that feeling of hitting the ball. From there, I went to my parents and asked if they knew of any local teams or clubs that could teach me how to play volleyball. Afterwards, they started taking me to weekly clinics every Sunday. I didn’t go often, but that’s when I learned the fundamentals and fell in love with the sport.

Her Agenda: You have played volleyball with a bigger purpose in mind. What has inspired you to combine your love for service and volleyball?

Vaughan Anoa’i: Service has always been a core value of mine. It’s something that I’ve been fortunate enough to not only have been exposed to, but also grow up around for the entirety of my life. When I was in elementary school, I would volunteer at local shelters or soup kitchens with my parents. Up to this day, I still work with Big Sunday, which is a local community service organization here in Los Angeles. When I come home during spring or winter break, I still do my best to try and go and connect with them.

Once I got into volleyball and recognized it was a passion of mine, that inspired me to fuse two passions and hobbies that were such a huge part of my identity. After playing club volleyball for so many years, I began to see firsthand how it’s extremely expensive. I wanted to make it much more inclusive and representative of the community. I wanted that for other girls who always dreamed of playing, especially at the next level. 

Her Agenda: What has been the proudest moment of your journey so far? 

Vaughan Anoa’i: Recently, I was able to donate $2,500 to Measina Volleyball Club, which is located in American Samoa, which is where my dad is from. I was able to visit American Samoa for the first time this past winter break. I was able to meet with coaches and club directors and hear about their experiences. My donation helped fund their first off-island tournament.

For many of these girls, they never traveled further than Hawaii. They were able to go all the way to Phoenix, Arizona, and compete in their first off-island tournament. It warmed my heart. It was an experience that meant so much to the coaches, the players, and their families. At that moment, I was able to see the global impact of my initiative and my pledge. To see the way that it has grown and come to fruition from what it once looked like in high school versus what it looks like now is an experience that I can’t even put into words.

Her Agenda: We’ve seen a resurgence in women’s sports. You have athletes like Angel Reese who’ve revitalized the WNBA. Do you think that the love and attention that women’s sports are receiving right now is here to stay? 

Vaughan Anoa’i: I’m positive that it will be here to stay. It’s so incredible seeing all the trailblazers across multiple female sports, whether it’s volleyball, basketball, or even softball. I’m the biggest Angel Reese fan ever. I admire her and the way she plays and carries herself. She’s a mentor whom I look up to in my own life.

The “everybody watches women’s sports” movement is something that came to the forefront in the past couple of years. At this point, it only continues to grow, especially with the WNBA. As athletes, especially at the collegiate level or even the professional level, we do have an audience and a fan base growing around us. It’s vital to use that platform for the right reasons.

Her Agenda: Tell me about Vaughan’s Block Back and your mission behind it.

Vaughan Anoa’i: Vaughn’s Block Back came into fruition my sophomore year of high school, right around the pandemic. The rest of our tournaments for that season had been canceled due to COVID. My club director was refunding all of the money that we had put down for those tournaments. I had conversations with her and heard that certain girls either couldn’t travel to certain tournaments or weren’t able to afford the uniform or shoes. I had an initial idea. I wanted to donate money back to the club so that it would be able to help any girls who wanted to travel or needed extra financial aid in terms of the uniforms and things.

After I made that first initial donation, I had an awakening. This is something that I could do not only within my club, but on a bigger scale within the Los Angeles area. I loved the fact that I could impact and touch so many girls who had always dreamed of playing club volleyball, but maybe weren’t able to in the past.

Her Agenda: You come from a very renowned family of athletes. How have they inspired you?

Vaughan Anoa’i: For me, I never had, and to this day, I have no desire to get into wrestling, which is the family business. I’ve always observed it and grown up around it as well. I’ve always admired the fearless and trailblazing mentality that a lot of them have, especially within, and it still is. We’ve risen into prominence in recent years, but the WWE is still a predominantly white industry.

The fact that they were able to come in at a time when it wasn’t very accepting was a path that only a few could fathom. They were still able to make a name for themselves. The Anoa’i name, in general, is a name that I carry with pride. It affirmed my sense of confidence and self-worth, which are things that I think women, try to downplay our accomplishments or don’t use our voice. I’ve always been in a position where I want to actively use my voice and continue evolving into the best version of myself.

Her Agenda: How do you balance your athletic career with your academic career at Georgetown?

Vaughan Anoa’i: I have always been in a position throughout my entire life, even before getting to college, where education and school have always come first. I’m also very grateful to my parents for allowing me to have an identity outside of volleyball because I think, as athletes, we are constantly practicing and competing and traveling, where it can feel like your entire life. I’ve found a different kind of identity in the classroom, and I’ve been able to thrive at an institution like Georgetown. It takes a lot of discipline and sacrifice, but I truthfully couldn’t have asked for a better college experience. I couldn’t have imagined just being a student. I’m grateful for all the lessons that volleyball has taught me in my life, but especially in these past three years of being in college.

Her Agenda: What are some ways that you de-stress or calm down when you feel like you’re getting to that breaking point?

Vaughan Anoa’i: I love going on walks and listening to podcasts. Specifically, I’ve been listening to the Mel Robbins podcast because I read her book entitled The Let Them Theory, and I absolutely loved it. I’m a huge fan; if anyone knows me, I love self-help and motivational books. I try to read a bunch every summer, so I would say reading as well is something that helps me de-stress.

I also love horseback riding. I feel at peace whenever I’m horseback riding, whether I’m by myself or with my mom and cousin, it’s just great. I’ve been trying to get better because I think a lot of people assume you just sit on the horse and that’s it, but there is a technique and form to it. 

Her Agenda: What is a piece of advice that has helped you through tough times?

Vaughan Anoa’i: I love motivational quotes. Sometimes my parents and I will send quotes that we find, whether it’s on social media or maybe someone else shared it with them. I would say my mantra for the past few years, ever since getting to college, has been:

“The way you do anything is the way you do everything.”

It’s one of those sayings, you have to repeat it a few times to yourself, where you grasp what it’s getting at. I think that’s a reminder of the importance of giving your all to everything. Never show up to something if your full self isn’t there and present. That’s something that I’ve carried with me of just holding myself to a higher standard and making sure that I’m giving full dedication and effort. That’s allowed me to thrive and succeed in certain areas even when I do reach the point of burnout or self-doubt. 

Her Agenda: Beyond volleyball, what are your goals for your future?

Vaughan Anoa’i: It has always been my dream, even before coming to Georgetown, to attend law school specifically within the human and civil rights realm. I am a firm believer that as a lawyer, regardless of what kind of law you practice, you do have the capacity to positively impact someone else’s life. Even from my initiative and my pledge, that feeling of being able to help and positively impact those around me, even communities that are far and wide, is still something incredibly meaningful to me. If I’m able to continue that in more of a professional setting after college and after law school, then that would be an absolute dream come true.

Her Agenda: How long has the law been an interest for you? 

Vaughan Anoa’i: I would say since freshman year of high school. I remember watching When They See Us on Netflix. Learning more about the exonerated five, formerly known as the Central Park Five, was something that stuck with me even to this day. From that moment, a lot of the show is not only centered around their experience, but just the trial itself and what went down in the courtroom. 

Her Agenda: What is your hope for little girls, especially girls of color, who see you doing the work that you do? 

Vaughan Anoa’i: I hope it makes them feel that they, too, can do anything. I do believe that if there’s a will, there’s a way. Even for me, there were points in my journey, especially in getting to Georgetown, where I did suffer from self-doubt and anxiety, and didn’t know what my future would hold. There were so many other mentors and older teammates that I looked up to, especially those of color who blazed a path of their own and showed me that it’s possible. The fact that I’m able to be that same role model and mentor for young girls of color is an experience that I will carry with me for the rest of my life. I want them to know that even though there may be hurdles and bumps along the way, they will never deter them from ultimately reaching their dreams in the end.

Her Agenda: In terms of service projects, what is something you may want to touch on in the future? 

Vaughan Anoa’i: Now it’s focusing on my block back pledge, like I had mentioned earlier. I was able to expand it internationally to the South Pacific and American Samoa. Since I am approaching my last season playing volleyball at Georgetown, I am interested in potentially expanding this to the DMV area. More so on the East Coast. In total, I’ve been able to raise approximately $19,000 for the entirety of my pledge, which is an unreal number when I say it out loud. I’m hopeful to expand it to the DMV area just because it has been my home for the past three years, and DC will always have a special place in my heart.

This article Vaughan Anoa’i: A Powerhouse Georgetown Athlete Dedicated To Service And Change was originally published on HerAgenda.com